Cattle Call Page #2

Look at this.

A Hilary Duff look-alike.|She's beautiful.

Keep her, right?

- Yeah, keep her.|- Absolutely. Look at her.

This looks exactly|like Morgan Fairchild.

What, does everybody|have to look like somebody?

Look.

Sherman, it is Morgan Fairchild.

Marina Del.

I don't know who she looks like,|but, you know, she's cute.

In the casting business we say,|"Turn her over. "

Uh, okay.

Casting directors|and producers look at this.

They look at the actor's credits.

But we look at this section right here.

Special skills.

"Swimming, cooking, rollerblading,

working with|underprivileged children. "

- What does that mean?|- That she likes kids.

Exactly. You're catching on.

- It's like a personal ad.|- Absolutely.

- So we keep her.|- Absolutely.

All right.

All right, look at this girl.

- She's got her sizes right on the front.|- Oh, man.

You don't know|what that means?

You never did that?

It's when you stick|your face in between

two substantially large breasts

and you blow really, really hard,

and you shake your head|side to side like that.

The combination of the air|and the movement

causes a sound...|a slapping sound...

that goes in your eardrum,|and that sound is prrrunsky.

- Turn her over.|- You should try it.

Weightlifting.

Mud wrestling, martial arts.

Horse riding. I mean,|absolutely. Bring her in.

No, no, no.|Army tank mechanic.

Tractor and Caterpillar driver.

- I say we toss her.|- Yeah, whatever.

Oops, sorry.

She's a prunsky.

Yes, she is.

What's that?

Hey, I saw that, Glenn.

I think she's a keeper.|I'm gonna call her.

No, you're not.

What time do you want|to start calling tomorrow?

What do you mean? We call them right now.

Can't call them now. It's too late.

Richie, it's not too late.

These girls are out-of-work actresses.

I mean, these are their office hours.|They're desperate.

Oh, great. Then we should|call them right now.

- Let's do that.|- Do it.

What do you think about her?

- She's hot.|- She's a keeper, right?

- She's a keeper. Great.|- Call her.

- Let's call her.|- Call her.

It's 2:
00 in the morning.

It's a perfect time to call|and schedule an audition for next week.

That's great.

We'll call her.

Oh, good.|It's... It's ringing.

It's ringing.

Hi... Oh, I'm sorry.|Did I wake you up? So sorry.

Um, My name's Richie Rey,|and I'm producing a film,

and we got your headshot,

and we chose it out of hundreds...

no, no, thousands|of submissions...

and... based upon your|special skills being so,

um, special,

and we'd like you|to come in and audition.

Oh, fantastic. Yeah, uh...|Oh, one last thing.

Can you bring some form|of birth control, please?

Give me the phone.

The director actually just walked in,

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