Blithe Spirit Page #2

Synopsis: To get background for a new book, author Charles and his second wife Ruth light-heartedly arrange for local mystic Madame Arcati to give a séance. The unfortunate result is that Charles' first wife Elvira returns from beyond the grave to make his life something of a misery. Ruth too gets increasingly irritated with her supernatural rival, but M.Arcati is at her wit's end as to how to sort things out.
Genre: Comedy, Fantasy
Director(s): David Lean
Production: United Artists
  Won 1 Oscar. Another 1 nomination.
 
IMDB:
7.2
Rotten Tomatoes:
74%
NOT RATED
Year:
1945
96 min
2,946 Views


l told her how profoundly interested l was

and she blossomed like a rose.

l really feel quite nervous, as if l'm going

to make a speech. Go and meet her, darling.

MADAME ARCATl:
Oh, good evening.

- Hm?

l've leant my bike up against that bush out there.

lt'll be perfectly all right.

- How nice to see you.

- My dear Madame Arcati.

l had a presentiment that l was going to have

a puncture, so l went back to fetch my pump.

- Then l didn't have a puncture.

- Perhaps you will on the way home.

Oh, thank you.

- You know...

- Dr Bradman.

- The man with the gentle hands.

- Delighted to see you looking so well.

- My wife.

- We're old friends. We meet in shops.

- Would you like a cocktail?

- lf it's a dry Martini, yes.

lf it's a concoction, no. Experience

has taught me to be wary of concoctions.

- lt is a dry Martini.

- Delicious.

We do appreciate your coming all this way.

Nonsense. lt was wonderful cycling through

the woods. l was deafened with birdsong.

lt's been lovely all day.

Ah, but the evening's the time. Mark my words.

Thank you.

Cheers. Cheers.

Don't you find it tiring, bicycling everywhere?

lt stimulates me.

l was getting far too sedentary in London.

That horrid little flat with dim lights.

They had to be dim. The clients expect it.

This is the best dry Martini l've had for years.

- Would you like another?

- Certainly.

l must say, l find bicycling very exhausting.

A steady rhythm, that's what does it.

Once you get the knack,

you never look back. Away you go.

But the hills, Madame Arcati,

pushing up those awful hills.

Just knack again.

Down with your head, up with your heart

and you're over the top like a flash

and skimming down the other side

like a dragonfly.

Dinner is served, ma'am.

Thank you, Edith.

- Oh, no red meat, l hope?

- There's meat, but l don't think it'll be very red.

l make it a rule

never to eat red meat before l work.

- Would you rather have an egg or something?

- Oh, no, thank you. We'll risk it.

lt's just that it sometimes has an odd effect.

- What sort of effect?

- Nothing of the least importance.

Thank you.

How do you get in touch with people

on the other side, Madame Arcati?

Through a control, of course.

ln my case, a little girl. They're the best.

Some mediums prefer lndians,

but l've always found them unreliable.

ln what way, ''unreliable''?

They're frightfully lazy.

Also, when faced with any sort of difficulty,

they're apt to go off into their own

tribal language, which is unintelligible.

That spoils everything and wastes time.

Do you feel funny when you go off into a trance?

ln what way, ''funny''?

l don't think she means ''funny'' in its comic

Rate this script:3.5 / 2 votes

David Lean

Sir David Lean, CBE (25 March 1908 – 16 April 1991) was an English film director, producer, screenwriter and editor, responsible for large-scale epics such as The Bridge on the River Kwai (1957), Lawrence of Arabia (1962), Doctor Zhivago (1965) and A Passage to India (1984). He also directed adaptations of Charles Dickens novels Great Expectations (1946) and Oliver Twist (1948), as well as the romantic drama Brief Encounter (1945). Originally starting out as a film editor in the early 1930s, Lean made his directorial debut with 1942's In Which We Serve, which was the first of four collaborations with Noël Coward. Beginning with Summertime in 1955, Lean began to make internationally co-produced films financed by the big Hollywood studios; in 1970, however, the critical failure of his film Ryan's Daughter led him to take a fourteen-year break from filmmaking, during which he planned a number of film projects which never came to fruition. In 1984 he had a career revival with A Passage to India, adapted from E. M. Forster's novel; it was an instant hit with critics but proved to be the last film Lean would direct. Lean's affinity for striking visuals and inventive editing techniques has led him to be lauded by directors such as Steven Spielberg, Stanley Kubrick, Martin Scorsese, and Ridley Scott. Lean was voted 9th greatest film director of all time in the British Film Institute Sight & Sound "Directors' Top Directors" poll in 2002. Nominated seven times for the Academy Award for Best Director, which he won twice for The Bridge on the River Kwai and Lawrence of Arabia, he has seven films in the British Film Institute's Top 100 British Films (with three of them being in the top five) and was awarded the AFI Life Achievement Award in 1990. more…

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Submitted on August 05, 2018

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