Belle of the Nineties Page #9

Synopsis: Ruby Carter, the American Beauty queen of the night club-sporting world, shifts her operations from St. Louis to New Orleans (which kind of belies the Western genre designation), mostly to get away from prizefighter Tiger Kid. Installed as the prize attraction of "The Sensation Club", ran by Ace Lamont, she quickly becomes the toast of the town and also marked as personal property by Ace, arousing the fury of Ace's former flame, Molly Brant. The not-overly-bright Tiger comes to town and is set for a title match with the champ by Ace, while the latter also has him steal some of Ruby's jewels. Ruby, no dumb-belle, figuring Ace has the fix in on the fight, uses some of her other jewels to lay a trap for Ace. Tiger confesses, after the fight, to Ruby his role in the jewel robbery while she hints that Ace was the one who slipped him the knock-out drops. Tiger goes after Ace, who, for his own reasons, has Molly locked in a closet.
Genre: Comedy, Drama
Director(s): Leo McCarey
Production: Paramount Pictures
 
IMDB:
6.6
APPROVED
Year:
1934
73 min
96 Views


[Lively instrumental music]

- I didn't know she was in town, did you?

- No, I didn't.

See here, you're not gonna fall for her

all over again, are you?

- Lf you are, maybe we better not go in.

- Don't worry about me.

Come on, Ace is expecting me.

Coming, bunny boy?

Yeah, sure.

- Where is the party for the fighters?

- Right in there.

- Ace there?

- No, he's upstairs.

Thanks.

[Slow instrumental music]

ACE:
Nice work, Kid.

Just as smooth and easy.

TIGER:
I hope it stays that way.

Jails are draughty this time of the year.

Don't worry. No one would have known you

in a million years.

I hardly recognised you myself.

TIGER:
Swell stuff, Ace.

I'll put it away and we'll join the party.

[Band playing lively song]

[Singing] Folks, I've just come down

Down from Memphis town

That's where people smile

smile at you all the while

Hospitality

They were good to me

I couldn't spend a dime

I had the grandest time

I went out dancing

with a Tennessee dear

They had a fellow there named Handy

with a band you should hear

While the white folks gently swayed

All those darkies played

real harmony

I never will forget the tune

that they call the Memphis blues

Oh, those blues

They've got a fiddler up there

who always slickens his hair

And, boy, he sure do pull some bow

And when the big bassoon

seconds to the trombone's croon

Oh, yeah

No one can make it

like that piano man

They got a hot cornet

that you could never forget

Oh, play it, boy

When the drum goes wild

Mother, come and get your child

[Drum solo]

I brought them here 'cause

I couldn't bear to lose

those Memphis blues

There's too much fuss

being made over this woman.

Don't think you're fooling me.

You're in love with her.

ACE:
That again?

Yes, I was good enough for you

till she came here.

You're working here and getting paid.

If you're dissatisfied, get out.

- Ace, you can't do this to me.

- You're getting to be a nuisance.

[Band playing lively music]

TIGER:
Hello, Ruby.

I didn't expect to meet you in this town.

- No?

- No.

I didn't think I'd ever see you again.

You don't mean to tell me

you actually missed me.

More than that.

I can't get you out of my mind, Ruby.

- I think about you all the time.

- Oh, yeah?

Did you ever give me a second thought?

Do you suppose I could forget

a guy as good as you?

- You mean that?

- Of course.

BUNNY BOY:
Why don't you join the party?

They got wine, they got whiskey, they got...

Who's your friend?

- You don't know him?

- No.

You don't know her?

I'm glad you mentioned it,

I was gonna tell you about that.

You were gonna tell me about it, huh?

I'll be back in a minute, Ruby.

BUNNY BOY:
Look, it was a joke.

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Mae West

Mary Jane "Mae" West (August 17, 1893 – November 22, 1980) was an American actress, singer, playwright, screenwriter, comedian, and sex symbol whose entertainment career spanned seven decades, known for her lighthearted bawdy double entendres and breezy sexual independence. West was active in vaudeville and on the stage in New York City before moving to Hollywood to become a comedian, actress and writer in the motion picture industry, as well as appearing on radio and television. The American Film Institute named her 15th among the greatest female stars of classic American cinema. Often using a husky contralto voice, West was one of the more controversial movie stars of her day and encountered many problems, especially censorship. She bucked the system, making comedy out of conventional mores, and the Depression-era audience admired her for it. When her cinematic career ended, she wrote books and plays and continued to perform in Las Vegas, in the United Kingdom, on radio and television and to record rock and roll albums. She was once asked about the various efforts to impede her career, to which she replied: "I believe in censorship. I made a fortune out of it." more…

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Submitted on August 05, 2018

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