Autoreiji: Biyondo (Outrage 2 AKA Outrage Beyond) Page #2

Year:
2012
82 Views


You give them lessons.

Yes, sir.

Ishihara, that's enough.

Five years ago, I succeeded

the chair from Mr. Sekiuchi.

We became this huge organization today

thanks to you all.

But I'm not satisfied yet.

We'll adopt a merit-based system

as Ishihara suggests.

We'll promote the competent

and discard those who are not.

Keep that in mind.

Yes, sir!

That's it for today.

No meal served at an executive meeting!

Damn!

Okamoto is senior,

but he nods to Ishihara's every word.

Is he a homo?

Brothers how about a drink?

Sure.

Goodbye, sirs!

Goodbye, sirs!

Excuse me.

Why did you let Ishihara say all that crap?

We helped build this organization.

That prick Ishihara

doesn't even have proper tattoos.

He has never been in prison.

F*** hedge funding!

He became an executive

only because he can make money.

You should be the family underboss,

based on seniority.

I had to turn in one of my men

for cop killing.

Now I have to take care of him,

his wife and kid!

Risking your life for the family

means less now.

How much money you make is

what matters.

Then why did Funaki get promoted?

He didn't make any money.

He was just Sekiuchi's bodyguard.

Why is he an executive now?

Don't tell anyone this.

Why was Funaki not with Sekiuchi

when he was killed?

What do you mean?

I mean

Sekiuchi was in a poolside chat

with Kato and a guy from another family.

Why wasn't Funaki there?

A bodyguard should be near his boss

at all times.

What are you saying?

Maybe it was an important discussion

and he had to leave.

You stupid yakuza!

How come Kato promoted Funaki

after he failed to save his own boss?

It doesn't make any sense.

Kato and Funaki were accomplices

in Sekiuchi's death?

And that lousy brat got promoted?

Don't mention this to anybody.

It could get you killed.

Not if we kill first.

You idiot!

Is Tomita in?

Tell him Kataoka wants to see him.

Excuse me.

Mr. Kataoka is here.

Kataoka?

You three look busy plotting.

That's not very polite.

Why are you here?

Evening, sir.

Don't bother. Nothing for me.

Yes, sir.

The Sanno have free rein now...

Dipping into tax money,

laying its hands on a detective.

The force has decided to utilize

all its strength to crack down.

This puts me in a difficult position.

What's your point?

The point is Mr. Kato must retire.

You must inherit the family, Mr. Tomita.

Either of you two could replace Ishihara.

Don't be ridiculous!

How would the other executives

react to this?

They aren't happy now watching

Ishihara and Funaki run the show.

Hold on, you're suggesting we betray

our sworn father.

We made a pact over sake.

We'll never break the code of conduct.

I understand.

Mr. Tomita,

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Takeshi Kitano

Takeshi Kitano (北野 武, Kitano Takeshi, born 18 January 1947) is a Japanese comedian, television personality, director, actor, author, and screenwriter. While he is known primarily as a comedian and TV host in his native Japan, abroad he is known almost entirely for his filmwork. With the exception of his works as a film director, he is known almost exclusively by the stage name Beat Takeshi (ビートたけし, Bīto Takeshi). Kitano rose to prominence in the 1970s as one half of the comedy duo Two Beat, before going solo and becoming one of the three biggest comedians in the country. After several small acting roles, he made his directorial debut with 1989's Violent Cop and garnered international acclaim for Sonatine (1993). But he was not accepted as a director in Japan until Hana-bi won the Golden Lion in 1997. In October 2017, Kitano's completed his Outrage crime trilogy with the release of Outrage Coda.He has received critical acclaim for his idiosyncratic cinematic work, winning numerous awards with Japanese film critic Nagaharu Yodogawa having once dubbed him "the true successor" to influential filmmaker Akira Kurosawa. Many of Kitano's films are dramas about yakuza gangsters or the police. Described by critics as using an acting style that is highly deadpan or a camera style that approaches near-stasis, Kitano often uses long takes where little appears to be happening, or editing that cuts immediately to the aftermath of an event. Many of his films express a bleak worldview, but are also filled with humor and affection for their characters. more…

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Submitted on August 05, 2018

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