Ararat Page #2

Synopsis: People tell stories. In Toronto, an art historian lectures on Arshile Gorky (1904 -1948), an Armenian painter who lived through the Armenian Genocide in the Ottoman Empire. A director invites the historian to help him include Gorky's story in a film about the genocide and Turkish assault on the town of Van. The historian's family is under stress: her son is in love with his step-sister, who blames the historian for the death of her father. The daughter wants to revisit her father's death and change that story. An aging customs agent tells his son about his long interview with the historian's son, who has returned from Turkey with canisters of film. All the stories connect.
Genre: Drama, War
Director(s): Atom Egoyan
Production: Miramax Films
  12 wins & 13 nominations.
 
IMDB:
6.6
Metacritic:
62
Rotten Tomatoes:
55%
R
Year:
2002
115 min
Website
385 Views


of the artist's early life

in his native land.

Gorky is seen holding

a bunch of small flowers

as a fragrant gift

to his absent father,

the intended recipient

of this remarkable photograph.

- I'm confused.

Had Gorky changed his name

by this point?

- No.

He changed it in his twenties,

after his arrival

to the United States.

- Celia, sit down.

- Gorky looks prematurely solemn.

With almond eyes and oval face,

his hair combed neatly

to the side,

Shushan looks bravely

at the camera,

challenging her absent husband...

- Challenging?

Why would you say that?

Isn't it obvious he knew

the Armenians were about to be

massacred? He went to America

to prepare a life

for his family.

They wanted to send him

a photograph

to let him know

they're still alive.

There's nothing challenging...

- Gorky never understood

why his father did not return.

- Celia, just sit down. Come on.

- Aren't you confusing Gorky's

father with your dead husband?

I mean, your first dead husband.

The one who was shot

by the police. The terrorist.

- Sit down.

Sit down. We're here

to listen to this lecture.

- Let's go.

- 'The Artist and His Mother'

is not simply a painted version

of a photograph.

The differences underline

the expressive elements

that make this piece

such a powerful

work of art.

Gorky's homage to his mother was

bound to take on sacred quality.

His experience as a survivor

of the Armenian genocide

is at the root

of its spiritual power.

With this painting, Gorky had

saved his mother from oblivion,

snatching her

out of a pile of corpses

to place her

on a pedestal of life.

Let me look at you son.

You're missing a button!

It must have fallen off...

Hold your hand in front of it.

Like this?

Yes.

I'm just so shocked

to see you here.

I've seen all your films

and I really...

- Please. Please.

- We're the ones

who are overwhelmed by this.

I've been writing

this screenplay for five years,

done as much research

as possible

and you come up with this.

- With what?

- Well, that Gorky was a child

during the rebellion in Van,

that he was there.

It's amazing.

- My mother

was a genocide survivor.

All my life, I promised to make

a film to tell her story,

how she suffered.

And now,

we are making this film.

- I'm not understanding

something.

Is Gorky in your film?

- Not yet.

- As you were speaking,

we got very excited

about the idea of working

him in. As another character.

Well, not an entirely

new character,

but a character

we could build on.

See, this amazing artist

as a young kid...

It would be great

to have you as a consultant.

- You have her photos, a gift

from the ashes of all

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Atom Egoyan

Atom Egoyan, CC is a Canadian director, writer, producer and former actor. Egoyan made his career breakthrough with Exotica, a film set primarily in and around the fictional Exotica strip club. more…

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Submitted on August 05, 2018

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