Angel Page #2

Synopsis: Angel Deverell comes of age in Edwardian Cheshire knowing she will be a great writer. Rising above her class (her widowed mother has a grocery shop), Angel finds a publisher and a wide audience for her frothy romances. With royalties, she buys an estate, then she's smitten by Esme, a rake from local aristocracy and an artist of dark temperament. She hires Esme's sister Nora, who dotes on her, as a personal assistant, and pursues Esme. Angel is grandly self-centered, coloring her world as if it were one of her novels. When the Great War breaks out and reality begins to trump her will, can Angel hold on to her man and her public?
Genre: Drama, Romance
Director(s): François Ozon
Production: Lions Gate Films
  1 win & 3 nominations.
 
IMDB:
5.9
Rotten Tomatoes:
50%
Year:
2007
113 min
Website
475 Views


- To publish my book, Mummy!

I've done it!

I'm going to be a writer!

I'm going to be a famous writer!

Ah!

(continues reading letter

very quickly)

"... market

for this kind of material...

"... depending, of course,

on the success

of the publication,

we would be happy

to consider any further..."

(continues reading: inaudible)

- Mr. Gilbright

will see you now.

- I know I'm late - I got lost

on the way from the station.

- Miss Deverell. Theo Gilbright.

Don't worry. Please sit down.

It must be your first time

in London.

- Yes.

- I have to say,

I was really expecting

someone a good deal older.

- You mean now you've seen me,

you won't publish my book?

- No, not at all.

Your age

is a delightful surprise.

Although I do have to say

that the style

and imaginative skill

of your novel

had all of us here guessing.

Some of us thought

"old lady in rural retreat,"

others were more inclined

towards "bald-headed man

in his fifties."

- Do I look like a man?

- No, it's just that, uh

- ahem -

we get a lot of submissions

under pseudonyms.

- Well, mine wasn't.

I've got nothing to hide.

I'm very proud of my book.

- Absolutely.

And do you think

you'll write another one?

- Oh, yes! I can let you have it

in a couple of weeks.

- Oh! And what will

the new book be about?

- It's about an actress.

- Are you interested

in the theatre, Miss Deverell?

- Not really.

I've never been.

- Well, I imagine

you must be a great reader.

- No. I don't have the time.

I prefer writing.

The minute I start,

my head's full of ideas.

- But you must at least have

some favourite authors.

- I quite like Shakespeare.

Except when

he's trying to be funny.

- Miss Deverell,

I personally find

your very special...

... style totally compelling.

And I'm sure

many readers will too.

Which is why -

as I wrote to you -

we'd be delighted

to publish your novel.

Given one or two

minor adjustments.

- What adjustments?

- Well, for example, chapter nineteen:

your - ahem - description of childbirth

is a little on the shocking side.

I'm not sure the "pints of blood" passage

is strictly necessary.

- Then you clearly don't know

anything about having babies.

- No, but I am a father,

and I can assure you childbirth

is an extremely beautiful thing.

- That's because you're not the one bleeding.

- Now, chapter twenty-five.

Lady Irania's dinner party.

Just a detail, but you don't actually

need a corkscrew to open champagne.

- I think you're wrong.

- I don't think I am wrong, actually.

Well, look, it's nothing hugely important.

But what do you say: I give you

back the manuscript,

you make these changes

and then we publish.

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Elizabeth Taylor

Dame Elizabeth Rosemond Taylor, (February 27, 1932 – March 23, 2011) was a British-born American actress, businesswoman, and humanitarian. She began her career as a child actress in the early 1940s, and was one of the most popular stars of classical Hollywood cinema in the 1950s. She continued her career successfully into the 1960s, and remained a well-known public figure for the rest of her life. In 1999, the American Film Institute named her the seventh-greatest female screen legend. Born in London to wealthy, socially prominent American parents, Taylor moved with her family to Los Angeles in 1939, and she was soon given a film contract by Universal Pictures. She made her screen debut in a minor role in There's One Born Every Minute (1942), but Universal terminated her contract after a year. Taylor was then signed by Metro-Goldwyn-Mayer, and had her breakthrough role in National Velvet (1944), becoming one of the studio's most popular teenaged stars. She made the transition to adult roles in the early 1950s, when she starred in the comedy Father of the Bride (1950) and received critical acclaim for her performance in the drama A Place in the Sun (1951). Despite being one of MGM's most bankable stars, Taylor wished to end her career in the early 1950s. She resented the studio's control and disliked many of the films to which she was assigned. She began receiving roles she enjoyed more in the mid-1950s, beginning with the epic drama Giant (1956), and starred in several critically and commercially successful films in the following years. These included two film adaptations of plays by Tennessee Williams: Cat on a Hot Tin Roof (1958), and Suddenly, Last Summer (1959); Taylor won a Golden Globe for Best Actress for the latter. Although she disliked her role as a call girl in BUtterfield 8 (1960), her last film for MGM, she won the Academy Award for Best Actress for her performance. Taylor was then paid a record-breaking $1 million to play the title role in the historical epic Cleopatra (1963), the most expensive film made up to that point. During the filming, Taylor and co-star Richard Burton began an extramarital affair, which caused a scandal. Despite public disapproval, she and Burton continued their relationship and were married in 1964. Dubbed "Liz and Dick" by the media, they starred in 11 films together, including The V.I.P.s (1963), The Sandpiper (1965), The Taming of the Shrew (1967), and Who's Afraid of Virginia Woolf? (1966). Taylor received the best reviews of her career for Woolf, winning her second Academy Award and several other awards for her performance. She and Burton divorced in 1974, but reconciled soon after, and re-married in 1975. The second marriage ended in divorce in 1976. Taylor's acting career began to decline in the late 1960s, although she continued starring in films until the mid-1970s, after which she focused on supporting the career of her sixth husband, Senator John Warner. In the 1980s, she acted in her first substantial stage roles and in several television films and series, and became the first celebrity to launch a perfume brand. Taylor was also one of the first celebrities to take part in HIV/AIDS activism. She co-founded the American Foundation for AIDS Research in 1985, and the Elizabeth Taylor AIDS Foundation in 1991. From the early 1990s until her death, she dedicated her time to philanthropy. She received several accolades for it, including the Presidential Citizens Medal. Throughout her career, Taylor's personal life was the subject of constant media attention. She was married eight times to seven men, endured serious illnesses, and led a jet set lifestyle, including assembling one of the most expensive private collections of jewelry. After many years of ill health, Taylor died from congestive heart failure at the age of 79 in 2011. more…

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