A Woman Is a Woman Page #2

Synopsis: Angela,a striptease artist, wants to have a baby and tries to persuade her boyfriend Emile to go along with the idea. Emile will have none of it so she goes after Emile's friend Alfred.
Genre: Comedy, Drama, Romance
Director(s): Jean-Luc Godard
Production: Rialto Pictures
  2 wins & 1 nomination.
 
IMDB:
7.6
Metacritic:
71
Rotten Tomatoes:
87%
NOT RATED
Year:
1961
84 min
Website
1,583 Views


Are you crazy?

I love only you.

Your eyes, your neck, your shoulders...

your waist.

Your feet.

Will you sweep up

instead of acting silly?

I love only you

Di Stefano has the ball.

He attacks on the right wing.

Beautiful.

It's fantastic.

It's pure Shakespeare.

Divine Alfredo,

the Julius Caesar of soccer,

centers to Del Sol,

Del Sol to Puskas, Puskas to Del Sol.

Del Sol to Di Stefano,

Di Stefano to Del Sol.

Madrid's grand today.

Del Sol drives into the penalty zone.

He's alone in front of Ramallets.

He shoots.

I'm not finished.

Is dinner ready?

Overdone.

Would you rather have fish

or meat for dinner?

Fish.

What would you have preferred

if you were having meat?

I dunno.

VeaI.

If you were to have beef

rather than veaI,

would you prefer a steak or a roast?

A steak.

Had you answered roast,

would you prefer it rare or well-done?

Rare.

Well, honey, you're out of luck.

My roast beef's a bit overdone.

Are you mad?

It's nothing to fight about.

Too bad.

Because I'm very worked up.

I went by to see Gerardin.

He's on for Sunday.

Really?

At first he said no,

but he changed his mind.

Great!

At Parc de Prince stadium

at the start of the rally.

Want a soft-boiled egg instead?

Sure, precious.

But on one condition.

What?

I want a baby.

All right.

Okay, Angela.

- No kidding?

You really want to?

- Sure. I'm no ogre.

Once we're married.

Then let's get married.

I'll write to Copenhagen

for my birth certificate.

We've got time.

I don't understand.

Look, if we had a baby,

we'd get married at once.

But we don't.

I wish we did.

We'll see.

What'd the Lido guy say?

I didn't go.

That's stupid, Angela.

The Lido's important.

It beats the Zodiac.

Why are you so crueI?

What did I do?

That's just it.

Just what?

Speak to me in another tone.

What kind of tone?

A quieter tone.

You'll break my eardrums.

I speak quietly and it suits me fine.

Not at all.

- I don't speak quietly?

- "I don't speak quietly?"

You can't even pronounce your R's.

Yes, I can.

Pathetic.

Why is it always women who suffer?

Women are the cause of all suffering.

Or "woman is the cause... "

Either form is correct.

"Are said to be"

or "is said to be. "

Cut the baloney

or I'll give you a knuckle sandwich

and you'll be eating humble pie.

You took the morning paper?

I despise you.

Here, you commie.

Drop it, Angela!

There she goes.

I don't know whether to laugh

or cry.

I find a crying woman ugly.

I don't.

On the contrary.

That's what Agnes said.

Nothing's more beautifuI

than a woman in tears.

We should boycott

women who don't cry.

Modern women are stupid...

when they try to elim...

That isn't it.

A woman who can't cry is stupid.

Rate this script:5.0 / 2 votes

Jean-Luc Godard

Jean-Luc Godard (French: [ʒɑ̃lyk ɡɔdaʁ]; born 3 December 1930) is a French-Swiss film director, screenwriter and film critic. He rose to prominence as a pioneer of the 1960s French New Wave film movement.Like his New Wave contemporaries, Godard criticized mainstream French cinema's "Tradition of Quality", which "emphasized craft over innovation, privileged established directors over new directors, and preferred the great works of the past to experimentation." As a result of such argument, he and like-minded critics started to make their own films. Many of Godard's films challenge the conventions of traditional Hollywood in addition to French cinema. In 1964, Godard described his and his colleagues' impact: "We barged into the cinema like cavemen into the Versailles of Louis XV." He is often considered the most radical French filmmaker of the 1960s and 1970s; his approach in film conventions, politics and philosophies made him arguably the most influential director of the French New Wave. Along with showing knowledge of film history through homages and references, several of his films expressed his political views; he was an avid reader of existential and Marxist philosophy. Since the New Wave, his politics have been much less radical and his recent films are about representation and human conflict from a humanist, and a Marxist perspective.In a 2002 Sight & Sound poll, Godard ranked third in the critics' top-ten directors of all time (which was put together by assembling the directors of the individual films for which the critics voted). He is said to have "created one of the largest bodies of critical analysis of any filmmaker since the mid-twentieth century." He and his work have been central to narrative theory and have "challenged both commercial narrative cinema norms and film criticism's vocabulary." In 2010, Godard was awarded an Academy Honorary Award, but did not attend the award ceremony. Godard's films have inspired many directors including Martin Scorsese, Quentin Tarantino, Brian De Palma, Steven Soderbergh, D. A. Pennebaker, Robert Altman, Jim Jarmusch, Wong Kar-wai, Wim Wenders, Bernardo Bertolucci, and Pier Paolo Pasolini.From his father, he is the cousin of Pedro Pablo Kuczynski, former President of Peru. He has been married twice, to actresses Anna Karina and Anne Wiazemsky, both of whom starred in several of his films. His collaborations with Karina—which included such critically acclaimed films as Bande à part (1964) and Pierrot le Fou (1965)—was called "arguably the most influential body of work in the history of cinema" by Filmmaker magazine. more…

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Submitted on August 05, 2018

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