A Walk in the Sun Page #5

Synopsis: In the 1943 invasion of Italy, one American platoon lands, digs in, then makes its way inland to blow up a bridge next to a fortified farmhouse, as tension and casualties mount. Unusually realistic picture of war as long quiet stretches of talk, punctuated by sharp, random bursts of violent action whose relevance to the big picture is often unknown to the soldiers.
Genre: Drama, War
Director(s): Lewis Milestone
  Nominated for 1 BAFTA Film Award. Another 2 wins.
 
IMDB:
7.3
APPROVED
Year:
1945
117 min
255 Views


crawling with troops and now, for

all we know, we might be here alone.

The planes will be coming soon.

They always come soon.

If we were in those woods...

Halverson said he was...

- Yeah. I know. Halverson said.

I never saw anything like it,

never in my life.

Everybody's gone away.

They forgot us.

They don't want us in the war.

Halverson must be playing

black jack down in the barges.

A butt.

- What happened

to the one I just gave you?

I sent it home. They're cutting

down on the butts at home. A butt.

A match.

Thanks.

Pays to have friends.

What's the dope?

- No dice. I didn't see Halverson anywhere.

They're bringing down the wounded now.

- From where?

I spoke to a couple of guys there.

They ran into trouble with that machine gun.

- How about Halverson?

I told you, I don't know

anything about Halverson.

I saw Mac though.

He said the lieutenant's dying.

Mac says if the lieutenant dies,

he'll go and look for Halverson.

The ocean's full of stuff now.

I guess they're bringing in the

rolling stock, the heavy stuff.

The place is crawling.

- How does the beach look?

- Empty.

Where was the machine gun?

They didn't tell me. Over there, somewhere.

- Who didn't tell you?

- The two guys.

Hit the dirt!

Seems like this war

is nothing but waiting.

Waiting for your chow,

waiting for your pay,

waiting for a letter from home.

# It's a long, long time

a man spends a-waiting

# Waiting around in a war

# I think of a girl

I've never seen

# Her hair is black

and her eyes are green

# Her name is Helen

or maybe Irene

# It's a long, long time a-waitin'.

# I think of all the things

I haven't done

# All of the women I haven't won

# It seems like my life

ain't really begun

# It's a long, long time

a- waitin'. #

If they think I'm going to spend the

rest of my life here, they're crazy.

Take the subway home.

Here's a nickel.

It's the only nickel I got.

My last tie with the States.

Take it, it's yours.

It's worth it to get rid of you.

Take a tank. Or a franc.

Tank. Franc. A poet. A Shakespeare.

The Bard of Avenue 8.

The card of Avenue 8.

You guys kill me.

He's worked to death.

He's got those open period blues.

He had to crawl down to Jones beach.

A little recon and he's worked to death!

He wouldn't have kicked

if it had been Coney Island.

When I'm out of the Army and you're

sweating it out in Tibet, you'll be

laughing the other

side of your face.

Hey, Sergeant. How long are we

going to stay here? My tail's cold.

We'll stay here 'till it freezes to

the ground. There's a lot to spare.

Any ideas where to go, Trasker?

Yeah. Pikes Peak. If

I was there, I'd run up backwards.

I'd go on my hands,

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Robert Rossen

Robert Rossen (March 16, 1908 – February 18, 1966) was an American screenwriter, film director, and producer whose film career spanned almost three decades. His 1949 film All the King's Men won Oscars for Best Picture, Best Actor and Best Supporting Actress, while Rossen was nominated for an Oscar as Best Director. He won the Golden Globe for Best Director and the film won the Golden Globe Award for Best Picture. In 1961 he directed The Hustler, which was nominated for nine Oscars and won two. After directing and writing for the stage in New York, Rossen moved to Hollywood in 1937. There he worked as a screenwriter for Warner Bros. until 1941, and then interrupted his career to serve until 1944 as the chairman of the Hollywood Writers Mobilization, a body to organize writers for the effort in World War II. In 1945 he joined a picket line against Warner Bros. After making one film for Hal Wallis's newly formed production company, Rossen made one for Columbia Pictures, another for Wallis and most of his later films for his own companies, usually in collaboration with Columbia. Rossen was a member of the American Communist Party from 1937 to about 1947, and believed the Party was "dedicated to social causes of the sort that we as poor Jews from New York were interested in."He ended all relations with the Party in 1949. Rossen was twice called before the House Un-American Activities Committee (HUAC), in 1951 and in 1953. He exercised his Fifth Amendment rights at his first appearance, refusing to state whether he had ever been a Communist. As a result, he found himself blacklisted by Hollywood studios as well as unable to renew his passport. At his second appearance he named 57 people as current or former Communists and his blacklisting ended. In order to repair finances he produced his next film, Mambo, in Italy in 1954. While The Hustler in 1961 was a great success, conflicts on the set of Lilith so disillusioned him that it was his last film. more…

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Submitted on August 05, 2018

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