A Walk in the Sun Page #4

Synopsis: In the 1943 invasion of Italy, one American platoon lands, digs in, then makes its way inland to blow up a bridge next to a fortified farmhouse, as tension and casualties mount. Unusually realistic picture of war as long quiet stretches of talk, punctuated by sharp, random bursts of violent action whose relevance to the big picture is often unknown to the soldiers.
Genre: Drama, War
Director(s): Lewis Milestone
  Nominated for 1 BAFTA Film Award. Another 2 wins.
 
IMDB:
7.3
APPROVED
Year:
1945
117 min
255 Views


to get hurt. No need at all.

He got it, anyway.

What are you going to do if

Halverson doesn't come back, Porter?

How do I know?

- They'll be sending the planes over soon.

The planes come over,

we'll take a powder.

Halverson can...

- Take a powder where?

Try and find that farmhouse.

The sun will be up soon.

Even at nine o'clock in the

morning, in the sun, I'd still be.

Why?

- Don't ask me why.

That's the way it is.

- You guys kill me. You kill me.

Sergeant, I want a discharge.

I'm all fought out.

In the last war,

they sent a guy to France.

It's all there was to it. They sent

him to France, then he went home.

Simple. Real simple.

But what do they do this time?

Do they send you to France?

No, they do not send you to France,

they send you to Tunisia,

then Sicily, then Italy.

Who knows where they'll

send you after that.

Maybe we'll be in France next year,

around Christmas time, maybe.

Then we'll work our way east.

Yugoslavia. Greece. Turkey.

No, not Turkey.

All I know is in 1958,

we're gonna fight the Battle

of Tibet. I got the facts.

Kill that!

- So I want a discharge.

A honourable discharge.

I've done my share. The next

guy can pick up where I left off.

You tell 'em, Jack.

- I hear planes.

I guess I was wrong.

I thought I heard them.

They'd probably be ours, anyway.

They'd better be. We've got

enough guys in the air force.

There goes Jerry's gun.

Told you. Eight minutes.

It should have been you, Rivera.

Always, it should have been you.

It always is me.

Archimbeau, go take

a look down there.

Every dirty job in the army

is my personal property.

Nobody's going to shoot you.

Go on your gut.

- Why the gut then?

Because I said the gut.

You kill me.

Butt me.

Last pack.

- Get your filthy hands off it.

Ask and I'll give.

You call that claw clean?

My own dirt I can eat.

Match.

They are kind of dirty.

A man's hands never

seem to get clean, even if

you don't touch nothing.

Just stay dirty.

It's sort of a special kind of dirt.

G.I. dirt.

Bet one of them criminologists

could take a sample out

of a guy's fingernail,

put it under his microscope

and say, "That's G.I. dirt."

The dirt's always the same colour,

no matter what country

you're fighting in.

Funny thing. I wonder why.

Say! Never saw that fella

'till he moved!

Camouflage.

See, I bet that's what G.I. dirt is.

Camouflage.

Think I'll write Frances

a letter about that.

Dear Frances...

- I can't see the beach or the water.

It's all stopped. No shouting,

no firing, no sound of motors.

The war is over.

- Smells like rain.

- See if you can smell me a plane.

A little while ago, the place was

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Robert Rossen

Robert Rossen (March 16, 1908 – February 18, 1966) was an American screenwriter, film director, and producer whose film career spanned almost three decades. His 1949 film All the King's Men won Oscars for Best Picture, Best Actor and Best Supporting Actress, while Rossen was nominated for an Oscar as Best Director. He won the Golden Globe for Best Director and the film won the Golden Globe Award for Best Picture. In 1961 he directed The Hustler, which was nominated for nine Oscars and won two. After directing and writing for the stage in New York, Rossen moved to Hollywood in 1937. There he worked as a screenwriter for Warner Bros. until 1941, and then interrupted his career to serve until 1944 as the chairman of the Hollywood Writers Mobilization, a body to organize writers for the effort in World War II. In 1945 he joined a picket line against Warner Bros. After making one film for Hal Wallis's newly formed production company, Rossen made one for Columbia Pictures, another for Wallis and most of his later films for his own companies, usually in collaboration with Columbia. Rossen was a member of the American Communist Party from 1937 to about 1947, and believed the Party was "dedicated to social causes of the sort that we as poor Jews from New York were interested in."He ended all relations with the Party in 1949. Rossen was twice called before the House Un-American Activities Committee (HUAC), in 1951 and in 1953. He exercised his Fifth Amendment rights at his first appearance, refusing to state whether he had ever been a Communist. As a result, he found himself blacklisted by Hollywood studios as well as unable to renew his passport. At his second appearance he named 57 people as current or former Communists and his blacklisting ended. In order to repair finances he produced his next film, Mambo, in Italy in 1954. While The Hustler in 1961 was a great success, conflicts on the set of Lilith so disillusioned him that it was his last film. more…

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Submitted on August 05, 2018

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