A Running Jump Page #2

Synopsis: Members of a family lives frantic lives of Olympian proportion.
 
IMDB:
6.2
Year:
2012
35 min
58 Views


50 inch.

- I could get you one of them.

- Really?

Yeah, get you anything you want.

Here, trainers.

Good quality...

- Are you all right?

- Yes, thank you. Sit down.

Jeans, jigsaw puzzles, you name it,

I can get it for you.

- You only have to say the word.

- Is he going to be long?

Who?

Oh. No!

No, no, he's just, he's out

giving your car a wax.

Have you got a motor?

Yeah. Well, no. It died

on me, unfortunately.

- What was it?

- Oh, it was only a Peugeot.

Well, yeah.

- Have you come far, then?

- Not that far. I live...

Got a job?

Yeah. I'm a care assistant.

What, uh, mentally handicapped?

- Old people's home.

- Walter Winterbottom.

What does that name mean to you?

He was the England manager before

Sir Alf Ramsey in 1966.

World Cup.

He deployed the 4-2-1-2-1 system,

the diamond formation.

But Alf preferred 4-3-3, the triangle,

or 4-4-2. Ah, but you see,

he had the great Bobby Moore to...

Here!

How many goals did Bobby Moore

score for England?

Two.

Tell you what, come 2012,

you won't prise me out of my chair

when the Olympics are on.

I'll sit there with me

lagers and me Chinese takeaway

and I'll watch it all day, every day.

I'll be glued to the box.

My cab can go in retirement for a

couple of weeks and I don't care.

Here you go! 2012.

Or what's going to be left of it.

What?

Well, you might as well

enjoy it while you can.

What do you mean?

- Well, you know.

- What?

End of days.

Nothing wrong with me, I'm fit as a fiddle.

No, no, no. No, I didn't...

Great Cycle.

What, the milk race, you mean?

No. The Mayan calendar?

Nah, don't know what you're talking about.

Right. This is interesting, right?

The Mayans invented a calendar, right?

Now, this is thousands

of years ago in "Mejico".

Sorry, Mexico.

They believed in cycles, right?

Now, each cycle lasts 5,125 years

and at the end of each cycle

is a major change. I mean,

a massive geological shift.

Now, we...

we are in the final

stages of the fifth cycle

and they predicted, the Mayans,

that at the end of the fifth cycle,

the Earth and the Sun would

come into direct alignment...

.. with the Great Rift.

The Great Rift is the dead

centre of the Milky Way.

Now this is scientifically

proven, this will happen,

and this cataclysmic event will

take place on the 21st December 2012,

just before Christmas.

It's mind-blowing.

Who knows what'll happen?

Millwall's a Scottish team.

There's something you didn't know, eh?

You see, years ago, these lads

come down from Dundee

to make jam for the sailing ships,

SS Whatshername.

A lot of people thought

Alf Ramsay was of Roman extraction,

but he always denied it. Funny, that.

Is he going to be much longer?

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Mike Leigh

Mike Leigh (born 20 February 1943) is an English writer and director of film and theatre. He studied at the Royal Academy of Dramatic Art (RADA) before honing his directing skills at East 15 Acting School and further at the Camberwell School of Art and the Central School of Art and Design. He began as a theatre director and playwright in the mid-1960s. In the 1970s and 1980s his career moved between theatre work and making films for BBC Television, many of which were characterised by a gritty "kitchen sink realism" style. His well-known films include the comedy-dramas Life is Sweet (1990) and Career Girls (1997), the Gilbert and Sullivan biographical film Topsy-Turvy (1999), and the bleak working-class drama All or Nothing (2002). His most notable works are the black comedy-drama Naked (1993), for which he won the Best Director Award at Cannes, the Oscar-nominated, BAFTA and Palme d'Or-winning drama Secrets & Lies (1996), the Golden Lion winning working-class drama Vera Drake (2004), and the Palme d'Or nominated biopic Mr. Turner (2014). Some of his notable stage plays include Smelling A Rat, It's A Great Big Shame, Greek Tragedy, Goose-Pimples, Ecstasy, and Abigail's Party.Leigh is known for his lengthy rehearsal and improvisation techniques with actors to build characters and narrative for his films. His purpose is to capture reality and present "emotional, subjective, intuitive, instinctive, vulnerable films." His aesthetic has been compared to the sensibility of the Japanese director Yasujirō Ozu. His films and stage plays, according to critic Michael Coveney, "comprise a distinctive, homogenous body of work which stands comparison with anyone's in the British theatre and cinema over the same period." Coveney further noted Leigh's role in helping to create stars – Liz Smith in Hard Labour, Alison Steadman in Abigail's Party, Brenda Blethyn in Grown-Ups, Antony Sher in Goose-Pimples, Gary Oldman and Tim Roth in Meantime, Jane Horrocks in Life is Sweet, David Thewlis in Naked—and remarked that the list of actors who have worked with him over the years—including Paul Jesson, Phil Daniels, Lindsay Duncan, Lesley Sharp, Kathy Burke, Stephen Rea, Julie Walters – "comprises an impressive, almost representative, nucleus of outstanding British acting talent." Ian Buruma, writing in The New York Review of Books in January 1994, noted: "It is hard to get on a London bus or listen to the people at the next table in a cafeteria without thinking of Mike Leigh. Like other wholly original artists, he has staked out his own territory. Leigh's London is as distinctive as Fellini's Rome or Ozu's Tokyo." more…

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Submitted on August 05, 2018

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