A Lady Takes a Chance Page #3

Synopsis: A New York bank clerk,Mollie Truesdale (Jean Arthur), in the late 1930s, finds that her cherished dream of making a 17-day all-expenses-paid bus trip to the Pacific Coast and back, isn't all she thought it would be...until she reaches Oregon and a bucking broncho tosses a rodeo performer on top of her and knocks her flat. Duke Hudkins (John Wayne), by way of apology, shows her the sights of Fairfield, Oregon, and she misses her bus, quarrels with the bewildered Duke, hitchhikes across a lot of desert...and a romance is born.
Director(s): William A. Seiter
Production: RKO Pictures
 
IMDB:
6.6
PASSED
Year:
1943
86 min
100 Views


here injun seen me comin'...

So he up with his tomahawk! Say, what's

the idea of giving me the brushoff?

Peg, sit down. I threw my bowie

knife right straight at him.

Duke, you old snakebite.

Sit down. Sit down!

More beer!

What's the matter?

What's the matter? What do you

think, what's the matter?

Well, I don't know what I

think what's the matter.

Well, then,

it just doesn't matter.

I take a girl places, it's kind of

unusual she don't have a good time.

I butted in.

Oh, you did not.

Well, to tell you

the truth, Mr. Hudkins,

this isn't what

I came out west for.

It's just that I've been sitting

on that bus for so long,

and you don't know how big

this country is...

Until you've got to cross it

in a sitting position.

Then, I don't know,

you came along,

and I just thought...

Maybe I'd have some fun.

Sorry you didn't.

I'm sorry too.

Would you like to have

another chance?

All right.

??

Oh, tension!

Oh, no, no, no.

Wait till he pays off.

Now...

Ones, dice!

Oh, little Joe, once!

Four! We win!

A four? Yeah. You see...

I'll explain later.

How much money we get?

We-we've got $283.

Are you sure?

Yes.

Here we go.

Coming out.

77 once, dice!

Come on, buddy. You're holding up the game.

What'll it be?

Shoot the bundle.

You mean all of it?

Sure.

A buck he's right.

You got it.

Hey.

What?

What's the matter?

You gonna start

betting against it?

Oh! Oh!

Changed my mind.

Hold it, fella.

You got troubles?

No. I just want to tell you

the house rules.

Like what? Like we've

got a $25 limit here.

Oh, since when?

Hold it, brother.

Pick up your money,

and let's play nice, huh?

All right.

Give me paper for this.

Why don't you let the lady roll?

Be a gentleman, hmm?

Molly, sure.

Go ahead. Roll 'em.

Uh, well, I'll try my best.

Yeah.

Shooting 15 only.

Yeah, well, how do you

know until you... Honest.

Shooting the five only.

Shooting a buck.

And she rolled snake eyes.

See?

Don't ever leave me, Molly.

Don't ever leave me.

You know, it really pays

to have a good time with you.

Oh, say, what time is it? Maybe I'd

better be getting back to my bus.

Oh, it's early yet. Shot of Irish.

Right. Two?

Uh, no.

I'll have, uh...

I'll have cactus milk, please.

Huh?

Cactus milk.

Did you ever see 'em

milk a cactus?

How's about it? How's about it?

How's about it?

How about what?

My rye-ginger ale.

You didn't order any. Wanna

make something out of it?

Oh, no, sir. Boy, you

look too tough for me.

How'd you like to step outside?

How are ya?

Never better.

Never better?

No.

Hey, you're pretty lucky.

Can't lose, eh?

Well... You ain't

foolin' me, big boy.

You're just lucky on account of

your little girl makes you lucky.

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Robert Ardrey

Robert Ardrey (October 16, 1908 – January 14, 1980) was an American playwright, screenwriter and science writer perhaps best known for The Territorial Imperative (1966). After a Broadway and Hollywood career, he returned to his academic training in anthropology and the behavioral sciences in the 1950s.As a playwright and screenwriter Ardrey received many accolades. He was awarded a Guggenheim Fellowship in 1937, won the inaugural Sidney Howard Memorial Award in 1940, and in 1966 received an Academy Award nomination for best screenplay for his script for Khartoum. His most famous play, Thunder Rock, is widely considered an international classic.Ardrey's scientific work played a major role in overturning long-standing assumptions in the social sciences. In particular, both African Genesis (1961) and The Territorial Imperative (1966), two of his most widely read works, were instrumental in changing scientific doctrine and increasing public awareness of evolutionary science. His work was so popular that many prominent scientists cite it as inspiring them to enter their fields. more…

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Submitted on August 05, 2018

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