200 Motels Page #2
- R
- Year:
- 1971
- 98 min
- 605 Views
A vacuum cleaner?
. . . and a potential epileptic seizure during
a production number later on.
A vacuum cleaner!
I thought the two of you would like to get acquainted.
It says here that you are supposed to be in love.
This abnormal relationship will be great for the
Listen man, I just wanna know one thing:
when do we get paid?
No look, look, look, look, look, don't you
even care what you do?
So long as I get some beer and I get paid, you
can make me do anything, I'm professional!
You should be careful talkin' about that stuff.
Why, does he listen?
He always listens. He always watches and listens to all the guys in the band. I've been in the band for years, and I
know. He always listens.
That's how he gets all his material! It isn't s'posed to be natural, friendly, good-natured, humorous, ha-ha-ha-ha!
Ha-ha-ha-ha-ha, YEAH, WELL FINE!
. . . and then he rips it off, and he sneaks off into a secret room someplace, and boils it in ammonia, and he gets it
perverted, and THEN he brings it back to us at
rehearsal and makes us play it!
Hey man, what's that over there?
It's HIM. You can see him, he's watching.
I've been in the band for years. You can
bet that he heard everything.
Yeah, let's go over and pretend to be nice to him.
Yeah, let's go over and pretent we don't know he's watching.
Yeah, and rippin' off all our good material.
Hi, man!
Hi, Frank!
Hi, man!
Hi, Frank!
Hi, man!
Hey, Frank!
Hey, that's a GREAT new song you wrote, you know, the one about the penis and everything? I was laughin' a lot
the whole time I was learnin' it!
Yeah, we were all laughin', Frank!
Ha-ha-ha-ha-ha-ha-ha-ha YEAH, WELL FINE!
Yeah, it took a little while to get into it man, but once we got the drift, phew!
Yeah, there's lots of great parts you've got in
there for the chorus, you know when they go:
RAN-TAN-RAN-TOON-RAN-TAN-TAN . . .
And I steal the room and everything, you know. I don't even mind you rippin' it off from me, just as long as I get paid.
Oh, and I don't even mind the part where he says, "what can I say about this fabulous elixir," so long as me and
Howard and Jeff Simmons who left the group just before the movie started get credit for special material! Ha-ha-ha!
I'm deeply offended by your lack of artistic sense.
Look here, Muhammitz, or whatever the f*** they call ya, I don't even give a sh*t man, I got five f***in' kids at home
and . . . can you lend me a coupla bucks until the
end of the week? Who are you, anyway?
Oh, she writes for the Imaginary Rock and Roll
newspaper in San Francisco.
San Francisco?
Man!
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