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Lou

EXT. DENSE WOODS (SAN JUAN ISLAND) - EARLY MORNING (1985) A LARGE BUCK walks amongst the trees, golden sunlight highlighting its short brown fur. It stops, noses a tree trunk, tearing off the bark, chewing. OFF TO THE SIDE: an ELDERLY COUPLE on an early morning stroll talk QUIETLY, pointing at

by Maggie McGowan Cohn

added by marina26
1 month ago
The Libertine

FADE IN: CLOSE ON - A ROLLED UP NEWSPAPER Swinging in the HAND that carries it. Behind the paper aMARBLE FLOOR becomes an ELEVATOR FLOOR. The carrier taps the paper against his leg as the elevator moves. The elevator floor becomes a CARPETED HALLWAY. The hand drops the paper in front of a

by Ben Kopit

added by marina26
1 month ago
Ida Tarbell

FADE IN ON: AN OIL WELL - AFTERNOON A tall wooden OIL DERRICK reaches up into the sky. Stones bounce off the surface of it. WE PAN DOWN TO REVEAL the source. Three young boys using it for target practice. Two brothers MIKE and PAUL WALLACE, 11 and 9, and another more delicate-looking boy abo

by Mark McDevitt

added by marina26
1 month ago
Homegrown

FADE IN: EXT. APPALACHIAN WILDERNESS - ESTABLISHING - DAWN Trees blanket the rolling mountains. A lone CABIN dots the autumn landscape. INT. CABIN - SAME CHARLIE NASY (42) and his son WILL (15) sleep in parallel twin beds in the bare bones, one-room cabin. As the sun peeks in a window,

by Jacques Edeline

added by marina26
1 month ago
Green River KIiller

EXT. JENSEN HOUSE BACKYARD (1993) - DAY A backyard BBQ party in full swing. Family. Friends. “HAPPY 21ST MIKE!” Laughter, drinking, children running around, playing with a Labrador puppy. We pick up details as we move through it all. TOM (V.O.) At the end of the day, what are the things that

by Michael Sheen

added by marina26
1 month ago
The Fisherman

UNDER THE OCEAN - NIGHT Ribbons of moonlight pierce the dark ocean from above as we glide forward underwater with embodied, animal purpose. OBJECTS begin to fall into view ahead: various shapes sinking from the surface as we move between them... AN AMMO BOX, A CHAIR, PIECES OF TWISTED METAL r

by Will Dunn

added by marina26
1 month ago
The Final Journey

I listen to the wind, to the wind of my soul, Where I’ll end up, well I think, only God really knows...” --Cat Stevens, THE WIND Authors Note: This script is about Inuits (Eskimos) of long ago. It was written to be an extremely visual story-telling experience. As such, all characters speak in In

by Michael Lee Barlin

added by marina26
1 month ago
Silence

1 1 EXT. UNZEN HOT SPRINGS DAY 1 The faces of FIVE MEN appear out of a thick cloud of mist rising off a seething lake of boiling water. They look like pale phantoms. Terrified. We HEAR the voice of FATHER CHRISTOVAO FERREIRA. Strong. Resolute. FERREIRA (V.O.) (reading) "Good Fr

by Martin Scorsese and Jay Cocks

added by marina26
1 month ago
Fences

BLACK SCREEN TITLE: AUGUST WILSON’S FENCES The screen remains black. The sound of a truck rumbling along a street. Two men are heard talking: bono (v.o.): Troy, you ought to stop that lying! troy (v.o.): I ain’t lying! The nigger had a watermelon this big. Talking about . . . “What waterm

by August Wilson

added by marina26
1 month ago
Loving

1 EXT. SMALL FARMHOUSE - NIGHT 1 Crickets. A spring night in rural Virginia. MILDRED(18) seems nervous. Her eyes cast down. She’s beautiful. A slender, light skinned black woman. High cheekbones hint at a mix of Native American ancestry. She picks her head up and takes a deep breath. Her bi

by Jeff Nichols

added by marina26
1 month ago

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