Lake Placid script
Lake Placid (1999)
Synopsis: When a mysterious creature violently kills a man in a Maine lake, Jack Wells (Bill Pullman), the local game warden, looks into the bizarre case, along with Sheriff Hank Keough (Brendan Gleeson) and visiting paleontologist Kelly Scott (Bridget Fonda). Looking for clues in a tooth that the beast left behind, Kelly and the others eventually locate the monster, a massive and vicious reptile eager to devour anything in its path. Can the crocodile-like creature be stopped?

May 6, 1998

Full Pink Draft

NOTE:
THE HARD COPY OF THIS SCRIPT CONTAINED

SCENE NUMBERS, WHICH HAVE BEEN REMOVED FOR THIS

"SOFT" TEXT COPY.

"LAKE PLACID"

OVER BLACK we HEAR the distant but near melodic CRY of a LOON.

SLOWLY FADE IN TO:

EXT. BLACK LAKE - NIGHT

The loon continues its hypnotic call, as the steamy mist lifts

off the dark water, which doesn't even ripple. The loon

continues her nocturnal cry, as we savor the beauty of the lake,

the elegance of the bird, and the haunting echo of her lonely

call... until suddenly the bird is crisply pulled under,

silenced forever. A lone feather surfaces and floats as:

Credits roll over the black lake to Richie Havens singing "I CAN

SEE CLEARLY NOW." Then--

OVER BLACK:

KEOUGH (O.S.)

And they pay you for this? To tag

beaver?

WALT (O.S.)

Imagine.

As we FADE IN a face COMES INTO FOCUS from underwater. It is

the face of WALT LAWSON (Maine Fish And Game) looking down from

a boat.

EXT. LAKE - DAY

Next to him is SHERIFF HANK KEOUGH, paunch, disposition of an

untipped waiter.

KEOUGH:

Ask me, what an animal does in the

wild is his own business so long as

he doesn't do it to man. I think

Mark Twain said that.

WALT:

(dry)

I think he didn't. But since

you've said it, I guess we're

covered.

Keough holds a stare. Walt drops overboard. Keough pulls a

Twinkie from his pocket. Begins to unwrap.

EXT. NEW YORK - MUSEUM OF NATURAL HISTORY

INT. MUSEUM - DAY

FIND KELLY SCOTT, pretty, thirty, as KEVIN CAMPBELL, forties,

approaches.

KEVIN:

Kelly.

KELLY:

(warmly)

Kevin, hey.

She beams affection, he exudes a little discomfort.

KEVIN:

Hi. Listen. Could I steal you a

second?

KELLY:

(great idea)

Absolutely.

INT. KEVIN'S OFFICE - DAY

They enter ON THE CUT, he closes the door.

KEVIN:

I had a great time last night.

Again.

KELLY:

Me too.

Reading his look, she suddenly smells it. Her face drops.

KELLY (CONT'D)

(deducing)

That's not what you came to say.

KEVIN:

You work for me. I'm not

comfortable with-- y'know, "us"...

She's a little crushed.

KELLY:

I was working for you when "us"

started, what's--

KEVIN:

I know and I thought I could handle

it but work and pleasure along with

somebody else, it's a dangerous

mix.

KELLY:

Kevin, as long as we...

(suddenly)

What was that last part?

KEVIN:

(sheepish)

The somebody else part?

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David E. Kelley

David Edward Kelley (born April 4, 1956) is an American television writer and producer, known as the creator of Picket Fences, Chicago Hope, The Practice, Ally McBeal, Boston Public, Boston Legal, and Harry's Law as well as several films. Kelley is one of very few screenwriters to have created shows aired on all four top commercial U.S. television networks (ABC, CBS, Fox and NBC). more…

All David E. Kelley scripts | David E. Kelley Books

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