Youngblood

Synopsis: A gang war/drug story set in a Los Angeles ghetto about the coming of age of a 15-year-old black youth. In HD.
Genre: Action, Drama
Director(s): Noel Nosseck
Production: MGM
 
IMDB:
5.6
R
Year:
1978
90 min
476 Views


1

Male Vocalist:

LIVIN' IN THE STREETS

NO ONE'S GONNA BEAT YA

HANGIN' WITH THE GANG

THE STREE WILL BE YOUR TEACHER

OH, YEAH

UNH:

AAAHHH:

YOUNGBLOOD:

UNH:

AAAHHH:

YOUNGBLOOD:

MOMMA'S ALL UPTIGHT

YOUR BROTHER THINKS

IT AIN'T RIGHT

THEY KICKED YOU:

OUT OF SCHOOL:

WE KNOW YOU AIN' NO FOOL

OOH, YEAH

AAAHHH:

WELL:

YOUNGBLOOD:

UNH:

AAAHHH:

YOUNGBLOOD:

AAAHHH:

YOUNGBLOOD:

AAAHHH:

YOUNGBLOOD:

Minister on Television:

...WE FORGIVE THOSE WHO

TRESPASS AGAINST US.

AND LEAD US NO INTO TEMPTATION...

Man:

I DON'T HEAR NOTHING.

Mrs. Gordon:

NO.

( Lord's Prayer continues

on television )

Man:

COME ON, SUGAR.

HE'S ASLEEP.

-Mrs. Gordon:
NO.

-AMEN.

Announcer on Television:

AND THIS CONCLUDES

OUR BROADCAST DAY.

Mrs. Gordon:

JUNIOR?

Man:

SEE? NOTHING. COME ON.

( static hiss on television )

Mrs. Gordon:

JUNIOR?

JUNIOR?

COME ON, SON, GET UP.

YOU'RE GONNA BE LATE

FOR SCHOOL.

NOW, WHAT HAVE I TOLD YOU

ABOUT LEAVING THIS TV SE ON ALL NIGHT?

NOW, IF YOU CAN'T DO

NO BETTER THAN THIS,

I'M GOING TO HAVE TO TAKE

THIS DAMN THING OUT OF HERE

AND PUT IT BACK:

IN THE LIVING ROOM.

YOU DIDN'T EAT NO DINNER

LAST NIGHT, EITHER.

BOY, DO YOU HEAR ME

TALKING TO YOU?

I WASN'T HUNGRY.

BUT THAT DON'T MAKE

NO SENSE, WASTING FOOD,

AS HIGH AS FOOD IS TODAY.

IT'LL BE RIGHT HERE

FOR YOU THIS EVENING.

NOW, HURRY UP.

GET YOURSELF READY.

GET SOMETHING IN THAT STOMACH

BEFORE YOU GET OUT OF HERE.

BY THE WAY, WHEN YOU GE OUT OF SCHOOL TODAY,

YOU COME STRAIGHT HOME,

YOU HEAR ME?

GOT SOME ERRANDS

I WANT YOU TO RUN FOR ME.

I AIN'T BEEN GETTIN' TOO MUCH

HELP AROUND HERE LATELY.

MAYBE YOU CAN GE YOUR COMPANY TO HELP.

WHAT COMPANY?

I DON'T KNOW.

Male Vocalist:

WAKE UP IN THE MORNING

WITH THE DUDE:

IN YOUR HEART:

GROOVIN' TO THE MUSIC

IS THE ONLY WAY TO START

ALL DAY LONG:

YOU'RE GONNA SING

A PRETTY SONG:

MAKING PEOPLE HAPPY

WHILE THEY FOLLOW YOU ALONG

FEELS SO GOOD,

FEELS SO GOOD:

FEELS SO GOOD,

FEELS SO GOOD:

SO GOOD, SO GOOD,

SO GOOD, SO GOOD

FEELS SO GOOD,

FEELS SO GOOD:

SING A HAPPY SONG

MAKES YOU FEEL SO GOOD

SING A HAPPY SONG

TURN THE WORLD ON TOO

SING A HAPPY SONG

MAKES YOU FEEL SO GOOD

SING A HAPPY SONG

TURN THE WORLD ON TOO

WALKIN' DOWN THE STREET

MOVIN' TO THE BEAT

SMILE:

AND SAY GOOD MORNING

TO THE PEOPLE:

THAT YOU MEET:

WORKING CAN BE FUN

AND YOU'LL

GET THE JOB DONE

IF YOU SING:

A HAPPY SONG:

THE DAY WON'T FEEL

SO LONG:

FEELS SO GOOD,

FEELS SO GOOD:

FEELS SO GOOD,

FEELS SO GOOD:

( onlookers cheer )

HEY, BLOOD!

OVER HERE, BLOOD!

HEY, WHAT'S HAPPENING,

BUMMIE?

HEY, YOU GOT IT, MAN.

WHAT'S THE DEAL?

NOT MUCH.

WHAT'S BEEN HAPPENING?

COME HERE. I WANT YOU

TO DO SOMETHING FOR ME, MAN,

BUT BE COOL.

-I'M COOL.

-ALL RIGHT.

THAT BAD, MAN?

WHAT ARE YOU DOING

WITH THIS?

OH, MAN, WHAT IS YOU,

SCARED?

-HOLD THAT.

HOLD THAT LIKE THAT.

-NAW.

I'M GONNA HOOK IT UP.

I FOUND THAT, MAN.

YOU FOUND IT? SURE.

I FOUND IT UP IN A DRAWER,

MAN, AT MY GRANDMOTHER'S.

HEY, YOU GUYS!

PUT IT UP.

( nervous chatter )

( clears throat )

DON'T YOU GUYS

HAVE AN ACTIVITY?

-YEAH.

-WHAT?

WE THINKIN' 'BOUT IT.

THE PERIOD'S

ALMOST OVER.

WE:

STILL:

THINKING:

ABOUT IT.

YOU CAN'T BE THINKING

ABOUT IT TOO HARD.

LOOK AT YOU-- YOU'RE NO EVEN PROPERLY DRESSED FOR P.E.

WELL, MY MOMMA

WASHING MY SHORTS.

I GOT MY SNEAKERS ON.

AND I BET YOU GO SOMETHING IN YOUR HAT TOO.

COME... COME HERE!

COME BACK HERE!

BULL!

YOU KNOW, YOU GUYS

HAVE GOT TO BE CRAZY.

THE LORD KNOWS:

I'M DOING THE BES I CAN WITH MY CHILD.

AND IT AIN'T EASY

ALL BY YOURSELF.

HE AIN'T GOT NO DADDY

OR NOTHIN'.

AND JUNIOR JUST...

HE AIN'T BEEN THE SAME

SINCE REGGIE--

THAT'S MY OLDEST BOY--

HE LEFT HOME.

OF COURSE, NOW,

REGGIE'S GROWN,

BUT JUNIOR AIN'T GROWN.

AND I NEVER DID HAVE

NO TROUBLE OUT OF REGGIE,

AND LORD KNOWS:

I DON'T WANT NO TROUBLE

WITH JUNIOR EITHER.

I CAN SYMPATHIZE WITH YOU,

MRS. GORDON.

I'M A WORKING MOTHER ALSO...

BUT MICHAEL'S OFFENSE

IS A VERY SERIOUS ONE.

YOU AIN'T GONNA SEND MICHAEL

TO JAIL OR ANYTHING, ARE YOU?

NO, MRS. GORDON.

BUT I AM RECOMMENDING

A SOCIAL WORKER:

THAT MICHAEL WILL

HAVE TO SEE REGULARLY.

IN THE MEANTIME,

HE'LL BE SUSPENDED

FROM ALL HIS CLASSES

UNTIL I GE THE SOCIAL WORKER'S REPORT.

I THANK YOU,

AND GOD BLESS YOU.

I'LL TAKE HIM TO SEE

THIS GENTLEMAN RIGHT AWAY.

COME ON, JUNIOR.

UH,

MRS. GORDON.

WELL... WHATEVER

HAPPENED TO YOUR HUSBAND?

OH, HE PASSED ON,

LONG TIME AGO.

OH, I'M SORRY.

I WASN'T AWARE THAT--

AIN'T NOTHING TO BE

SORRY ABOUT.

HE JUST... PASSED ON.

SESSIONS ARE GETTING

A LOT BETTER.

NEXT TIME I WANT TO MEE WITH YOU AND YOUR MOTHER.

WHAT'S THE MATTER?

STILL CAN'T CRISSCROSS?

-WHO SAYS?

-COME ON, SHOW ME.

I AIN'T GOTTA

SHOW YOU NOTHIN'.

SAY, RAY.

ALL RIGHT, LISTEN,

FORGET ABOUT THE MOUTHPIECE

FOR TODAY.

I WANT TO GET SOME TALKING

ACCOMPLISHED FOR A CHANGE,

SO JUST AIM YOUR SHOTS

FROM THE NECK DOWN

AND THE EYEBROWS UP,

ALL RIGHT?

JUST HURRY UP!

COME ON,

KEEP YOUR ELBOWS IN.

EXHALE WHEN YOU:

THROW A PUNCH.

HOW MANY TIMES:

HAVE I TOLD YOU,

DON'T HOLD YOUR BREATH.

I'M BREATHING, I'M BREATHING.

OKAY, KEEP YOUR

ELBOWS IN.

ELBOWS IN.

EVERY POUND--

PUT EVERY POUND:

BEHIND YOUR PUNCHES.

THAT'S IT.

EVERY POUND:

BEHIND YOUR PUNCHES.

STAY ON YOUR TOES.

ON YOUR TOES.

OOH! GOOD ONE, GOOD ONE.

THAT'S IT. MOVE AROUND.

MORE, MORE.

THAT'S IT.

COME ON, COME ON.

COME ON...

GOOD.

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Paul Carter Harrison

Paul Carter Harrison (born March 1, 1936) is an American playwright and professor. more…

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Submitted on August 05, 2018

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