True Lies Page #2
- R
- Year:
- 1994
- 141 min
- 1,008 Views
The woman glances up and sees Harry checking her out. There is
a frank moment of returned interest. Then the crowd shifts,
cutting off their view of each other.
9 INT. STAIRCASE AND SECOND FLOOR - NIGHT
Harry makes his way up the grand staircase to the second floor. *
He slips through doors into the private area of the mansion.*
10 INT. LIBRARY - NIGHT
The doors open and Harry slips into the darkened library. He *
crosses quickly to a window and opens it onto a terrace.*
11 EXT. BALCONIES - NIGHT*
Harry goes onto the terrace, and in a display of acrobatic*
prowess, he pulls himself up onto the third floor balcony*
directly above. He lets himself into--*
12 INT. KHALED'S OFFICE - NIGHT*
Khaled's office is ornately furnished. Beautiful antiques
glint in the moonlight coming in the French-doors. Harry
crosses to an immense desk and boots up the computer there.
Bathed in the glow from the screen, he pulls a FLAT BOX, about
the size of a paperback, from the back of his cummerbund. He
connects it quickly to the modem port in the back of the
computer.
HARRY:
Modem in place. Transmitting...
now.
He pushes a button and a green light comes on.
13 INT. VAN - NIGHT
Gib and Faisil watch as their monitor screen lights with DATA
from Khaled's private computer.
FAISIL:
Affirmatory. We are in.*
Fast Faisil is a computer ace. His fingers fly on the keyboard
as he types rapid key commands. We see familiar "windows
appear". The words are all in Arabic characters.
FAISIL:
These are encrypted files, guys.
This is going to take me a few
minutes.
14 OMITTED*
15 INT. 2ND FLOOR HALLWAY - NIGHT*
TIGHT ON LIBRARY DOOR. It opens a crack and a dental mirror*
comes out, looking around like a U-boat periscope. Seeing the
coast is clear Harry slips out. But just as he is closing the
door, a GUARD rounds the corner ten feet away. Harry turns
smoothly. He smiles sheepishly and moves toward the guard.
HARRY:
(In Arabic/ subtitled)
Where's the john around here? I
have to take a major leak.
The guard points warily down the corridor. Harry nods and
heads that way, back toward the party.
16 INT. MAIN HALL/ STAIRCASE - NIGHT
Harry comes down the staircase amid the glitter of the party.
He is sipping champagne and looking bored. He sees two
security guys moving purposefully through the crowd toward the
stairs, walkies in their hands. He turns away as they pass him
and pretends to study a large fragment of bas-relief... a
temple frieze depicting a war chariot drawn by four horses.
He senses someone next to him and turns. It is the WOMAN. She *
is captivatingly beautiful, and her gaze is piercing.
Translation
Translate and read this script in other languages:
Select another language:
- - Select -
- 简体中文 (Chinese - Simplified)
- 繁體中文 (Chinese - Traditional)
- Español (Spanish)
- Esperanto (Esperanto)
- 日本語 (Japanese)
- Português (Portuguese)
- Deutsch (German)
- العربية (Arabic)
- Français (French)
- Русский (Russian)
- ಕನ್ನಡ (Kannada)
- 한국어 (Korean)
- עברית (Hebrew)
- Gaeilge (Irish)
- Українська (Ukrainian)
- اردو (Urdu)
- Magyar (Hungarian)
- मानक हिन्दी (Hindi)
- Indonesia (Indonesian)
- Italiano (Italian)
- தமிழ் (Tamil)
- Türkçe (Turkish)
- తెలుగు (Telugu)
- ภาษาไทย (Thai)
- Tiếng Việt (Vietnamese)
- Čeština (Czech)
- Polski (Polish)
- Bahasa Indonesia (Indonesian)
- Românește (Romanian)
- Nederlands (Dutch)
- Ελληνικά (Greek)
- Latinum (Latin)
- Svenska (Swedish)
- Dansk (Danish)
- Suomi (Finnish)
- فارسی (Persian)
- ייִדיש (Yiddish)
- հայերեն (Armenian)
- Norsk (Norwegian)
- English (English)
Citation
Use the citation below to add this screenplay to your bibliography:
Style:MLAChicagoAPA
"True Lies" Scripts.com. STANDS4 LLC, 2024. Web. 19 Apr. 2024. <https://www.scripts.com/script/true_lies_736>.
Discuss this script with the community:
Report Comment
We're doing our best to make sure our content is useful, accurate and safe.
If by any chance you spot an inappropriate comment while navigating through our website please use this form to let us know, and we'll take care of it shortly.
Attachment
You need to be logged in to favorite.
Log In