The Night Manager Page #3
Season #1 Episode #4- TV-14
- Year:
- 2016
- 358 min
- 986 Views
He goes away for one night, you
come here to my cottage. Every time
he leaves the room, you look at me.
They are close. Very close. Heat between them.
JED:
Who are you? I want to know.
Beat.
PINE:
Trust me. You don’t.
She moves to kiss him.
PINE (CONT’D)
Listen. Go home now. Go along the
beach. Make it visible. Make sure
someone sees you when you get back.
Say you couldn’t sleep and went for
a night-time stroll. When Roper
gets back, stop the cold shoulder
treatment. Be nice to him. Make him
happy. OK?
He opens the door. She stares at him then leaves slamming the
door in the night.
6 EXT. MADRID. RESTAURANT. DAY. 6
JUAN APOSTOL is entering his favourite restaurant.
APOSTOL (IN SPANISH)
Nicolas, the usual table please.
WAITER (IN SPANISH)
Certainly Mr Apostol.
APOSTOL (IN SPANISH)
Is Mercedes here?
WAITER (IN SPANISH)
No sir. She had to leave. But your
other guest is here.
APOSTOL stares at him in surprise.
7 INT. MADRID. RESTAURANT. DAY. 7
APOSTOL approaches to find ANGELA BURR sitting at his table.
APOSTOL:
What do you want?
BURR smiles.
BURR:
Your girlfriend tells me you’re
taking her to Istanbul. Very
romantic.
APOSTOL:
Listen, I did what you asked.
BURR:
How’s the sleeping?
APOSTOL:
Still bad. I don’t think you’re
such a good confessor after all.
BURR:
Well - one good deed at a time.
Isn’t that what the good Lord said?
She takes out the printouts of Pine’s photographs from
Roper’s office. Hands them to APOSTOL across the table. Who
stares at them with evident ill-ease.
APOSTOL:
Where did you get this?
BURR:
Lucky dip.
APOSTOL:
Don’t bull-sh*t me. Who got you
these? Someone on the inside?
Smart man. BURR senses it. And is on him like a flash. But
gently. Gently...
BURR:
Please don’t make trouble with me
Juan. I much prefer being your
friend. (beat) Now look here. I
have code names and numbers. I have
pages that cross-refer. What I
don’t have is someone who can join
the dots. And tell me what the hell
is going on.
She stares at APOSTOL with a mischievous smile.
8-9 OMITTED 8-9
10 INT. LONDON. BLACK TAXI. DAY. 10
The grey city of London. ANGELA BURR sits alone, her black
briefcase tucked tight between her knees. She stares at it. A
strange excitement inside her.
11 INT. LONDON. IEA OFFICES. DAY. 11
ANGELA BURR walks in to the old office. SINGHAL is there to
greet her. BURR hangs up her coat, surveys the old room. A
moment alone, her little empire.
SINGHAL:
Welcome home. Is that a tan I see?
BURR:
No it’s bloody not.
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