Rachel stares back at him in silence.
Sarah appears behind the boy, her son, and scoops him up
into a hug. Still the boy stares at his grandmother, who
gives a tight smile and turns back to the sea.
Another guest walks up to Sarah and she nods, smiling, at
what he is saying to her but her eyes slide back to her
mother, standing on the other side of the glass.
FINAL SHOOTING SCRIPT WITH PINK AMENDMENTS - 26.03.09 5.
8 1NT/EXT. APARTMENT BLOCK. TEL AVIV SUBURB - DAY 8
A shabby, dimly-lit stairwell in a run-down section of the
A YOUNG MOSSAD AGENT knocks at one of the apartment doors.
After a moment it is answered by OLDER DAVID, now 62.
You were expecting me?
David looks at this young version of himself.
Yes. I was expecting you.
Would you come with me sir?
David stares at him, then walks back into the apartment.
The door almost swings shut and the Agent catches it,
considering walking in after him. But before he can, David
re-emerges carrying his jacket.
We TRACK with David, CLOSE on his face as the two men begin
the long walk down the staircase.
He doesn’t say anything to his companion, doesn’t look
around him, and we HOLD on that face as his mind tries to
catch up, tries to work something out, to decide...
9 EXT. STREET - CONTINUOUS 9
The apartment block stands on stilts. Abandoned furniture
is piled around the columns supporting the building.
Still on David as the two men walk out from the darkness
into the street that services the run-down estate. David
follows as the agent moves ahead towards a larger road.