The Bourne Supremacy Page #2

EXT. OUTDOOR MARKET -- GOA/BEACHTOWN -- DAY

A busy market town. Fishing town. Hippie town. Lots of young

Western faces. Rundown and happening at the same time.

MARIE shopping. Filling a bag with local produce.

EXT. ROAD -- GOA/BEACHTOWN -- DAY

BOURNE still running, leaving the beach behind.

INT. COTTAGE KITCHEN -- DAY

MARIE back from the market, putting the groceries away. Almost

done, when she stops for a moment --

A PHOTOGRAPH. There on the windowsill. A snapshot. Jason and

Marie on a beach. Her arms around him. As if she were the

protector. Big smiles. Young. Alive. In love.

MARIE smiles.

EXT. MAIN STREET -- GOA/BEACHTOWN -- DAY

Funky busy. Colonial facades in vivid, sub-continental

technicolor. Loud morning traffic.

CAMERA FINDS:

BOURNE coming out of a store with a big bottle of water.

He's just finished his run. Standing there, chugging away,

checking the scene, when something catches his eye --

HIS POV:

THE STREET. A SILVER CAR -- something newish -- pulling down

the block -- can't quite see who's driving, but --

BACK TO:

BOURNE watching this silver car. So serious he's casual.

Nobody passing would notice, but we do: He's on alert.

MOVING WITH HIM AS

BOURNE follows THE SILVER CAR on foot -- natural -- cruising

the BUSY SIDEWALK -- blending into the mix -- chugging on

that water bottle and --

UP AHEAD:

THE SILVER CAR making the corner and turning now --

BACK TO:

BOURNE slowing as he reaches the corner --

HIS POV:

THE SILVER CAR has parked. There's a GUY -- well-dressed --

casual -- physical -- sunglasses -- call him KIRILL -- he's

out of the car and heading across the street toward a building

there. A TELEGRAPH OFFICE.

BACK TO:

BOURNE checking his watch. The car. The guy. Perimeter.

INT. TELEGRAPH OFFICE/GOA -- DAY

MR. MOHAN at his desk. He's a crisp, proper man of fifty.

He's just been handed something --

A PHOTOGRAPH OF MARIE -- an old passport picture.

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