The Siege Page #2

Synopsis: The Siege is a 1998 American action thriller film directed by Edward Zwick. The film is about a fictional situation in which terrorist cells have made several attacks on New York City. The film stars Denzel Washington, Annette Bening, Tony Shalhoub, and Bruce Willis as the U.S. Army Major General William Devereaux.
Genre: Action, Thriller
Production: 20th Century Fox
  2 wins & 4 nominations.
 
IMDB:
6.3
Metacritic:
53
Rotten Tomatoes:
44%
R
Year:
1998
116 min
929 Views


BACK TO -- HUB AND FRANK, EXITING THE FEDERAL BUILDING

HUB:

How soon can we get there --?

FRANK:

In this traffic, maybe tomorrow.

BACK TO -- THE 99 BUS

As a police TECHIE inserts a dentist's mirror through a

drilled hole in the bus's door, the L.E.D. begins to BLINK

and the passengers SCREAM and dive for cover. An EXPLOSION.

BACK TO -- HUB AND FRANK, IN THE CAR

Frank is listening to a cell phone.

FRANK:

Oh, f***. It just blew.

BACK TO -- THE 99 BUS

The doors hang off their hinges. As the PASSENGERS tumble

off, we SEE they are covered in BLUE PAINT.

BACK TO -- HUB AND FRANK, IN THE CAR

HUB:

-- What?!

FRANK:

-- That's what they're telling me.

HUB:

-- And nobody's hurt?

Frank nods. Hubs closes his eyes in gratitude.

HUB:

Thank God.

CUT TO:

THE JOINT FBI/NYPD TERRORISM TASK FORCE - FEDERAL BLDG

They're listening to a tape-recording, altered by a VO-CORDER:

TAPED VOICE:

-- our first and last warning.

As the MESSAGE continues, we PAN the faces: MIKE JOHANNSON,

squad supervisor, and DANNY SUSSMAN, representing NYPD.

TAPED VOICE:

We expect our demand to be met. There

will be no negotiation. That is all.

TINA:

Demand for what? You hear any demand?

MIKE:

You sure this is all they got?

SUSSMAN:

That's it.

FRANK:

Maybe it's performance art.

Sussman shoots him a look. Clearly Haddad enjoys pushing his

buttons. Finally, Hub stands up.

HUB:

-- Okay. Blue paint. Voice-altering

technology --

FRANK:

-- available from The Sharper Image

catalogue.

SUSSMAN:

Last I looked they weren't offering

exploding paint bombs.

HUB:

Still, the rhetoric sounds political.

Militia?

TINA:

Not their style.

HUB:

Frank --?

FRANK:

Jihad isn't known for their sense of

humor, and Hamas is raising so much

money here, why queer their deal?

TINA:

Anyway, isn't Green the color of

Islam, not blue?

FRANK:

-- And, excuse me, but why do we

immediately assume they're Arabs?

HUB:

I want a composite of the suspects

in circulation by the end of business

today. Tina, you cross-check it

against the mainframe. Mike, have

you got the lab analysis on the paint?

MIKE:

Not yet...

HUB:

-- See if any was sold in quantity

the last month. Danny --

Tina's phone buzzes. She picks it up as Hub keeps going:

HUB:

-- find out what stop these guys got

on the bus, maybe there's a witness.

FRANK:

Hub... I think we're all eager to

give up our weekends on this. It

just occurs to me, has anybody even

committed a crime here? I mean,

assault with a deadly color?

Hub deals with Haddad's irreverence by ignoring it.

HUB:

Here's what I don't like. They know

explosives. They know our response

time. They put in a call and walk.

A young agent, FRED DARIUS, hands Hub a piece of paper:

Rate this script:0.0 / 0 votes

Lawrence Wright

Lawrence Wright (born August 2, 1947) is a Pulitzer Prize-winning American author, screenwriter, staff writer for The New Yorker magazine, and fellow at the Center for Law and Security at the New York University School of Law. Wright is best known as the author of the 2006 nonfiction book The Looming Tower: Al-Qaeda and the Road to 9/11. Wright is also known for his work with documentarian Alex Gibney who directed film versions of Wright's one man show My Trip to Al-Qaeda and his book Going Clear. more…

All Lawrence Wright scripts | Lawrence Wright Scripts

0 fans

Submitted by aviv on February 05, 2017

Discuss this script with the community:

0 Comments

    Translation

    Translate and read this script in other languages:

    Select another language:

    • - Select -
    • 简体中文 (Chinese - Simplified)
    • 繁體中文 (Chinese - Traditional)
    • Español (Spanish)
    • Esperanto (Esperanto)
    • 日本語 (Japanese)
    • Português (Portuguese)
    • Deutsch (German)
    • العربية (Arabic)
    • Français (French)
    • Русский (Russian)
    • ಕನ್ನಡ (Kannada)
    • 한국어 (Korean)
    • עברית (Hebrew)
    • Gaeilge (Irish)
    • Українська (Ukrainian)
    • اردو (Urdu)
    • Magyar (Hungarian)
    • मानक हिन्दी (Hindi)
    • Indonesia (Indonesian)
    • Italiano (Italian)
    • தமிழ் (Tamil)
    • Türkçe (Turkish)
    • తెలుగు (Telugu)
    • ภาษาไทย (Thai)
    • Tiếng Việt (Vietnamese)
    • Čeština (Czech)
    • Polski (Polish)
    • Bahasa Indonesia (Indonesian)
    • Românește (Romanian)
    • Nederlands (Dutch)
    • Ελληνικά (Greek)
    • Latinum (Latin)
    • Svenska (Swedish)
    • Dansk (Danish)
    • Suomi (Finnish)
    • فارسی (Persian)
    • ייִדיש (Yiddish)
    • հայերեն (Armenian)
    • Norsk (Norwegian)
    • English (English)

    Citation

    Use the citation below to add this screenplay to your bibliography:

    Style:MLAChicagoAPA

    "The Siege" Scripts.com. STANDS4 LLC, 2024. Web. 19 Apr. 2024. <https://www.scripts.com/script/the_siege_965>.

    We need you!

    Help us build the largest writers community and scripts collection on the web!

    Watch the movie trailer

    The Siege

    Browse Scripts.com

    The Studio:

    ScreenWriting Tool

    Write your screenplay and focus on the story with many helpful features.