One Good Turn Page #3

Synopsis: Stan and Ollie are down on their luck and beg at an old lady's house for food. While they are eating they overhear a villainous landlord (Finlayson) threatening to evict her if she does not pay the mortgage. Not realizing that they are hearing a rehearsal for a play, the boys decide to auction their car to help. In the confusion surrounding the auction, Stan finds himself in possession of a fat wallet and Ollie accuses him of stealing the old lady's money. When the truth is revealed, Stan exacts painful retribution.
Genre: Comedy, Short
Director(s): James W. Horne
Production: Hal Roach Studios
 
IMDB:
7.3
PASSED
Year:
1931
20 min
422 Views


EDDIE:

They don't want Ruth?

SAUL:

Pre-zactly!

EDDIE:

Well, what'll I do with her?

SAUL:

Say, why should you worry about her? She

can take care of herself. She don't do

anything anymore in the act anyway.

EDDIE:

Well, she's got to live.

JIM:

Oh, don't worry. Ruth can play the small

time just as long as she likes.

EDDIE:

(almost persuaded)

Well, I guess that could be arranged.

SAUL:

Say, why should you worry? You've got your

own troubles. You know how this business

is. Today, you're upstairs. And tomorrow

-- who knows? -- you're in the cellar,

ain't you?

EDDIE:

(convinced)

Well, I guess you're right. You know, I've

always wanted to be with that--

The three men start talking simultaneously as they walk off.

FADE OUT:

TITLE (to a fast instrumental version of "If I Could Be With You"):

Ruth learned that on Broadway the

billing was over when the cooing

stopped.

FADE IN:

INT. APARTMENT - DAY

Ruth opens the doors to her kitchen and turns to see a framed

photo of Eddie on a table beside her chair in the living room. She

sits in the chair, picks up the photo, stares at it a moment, sets

it down, then turns away sadly, burying her head in her shoulder.

Ruth's roommate MARGE enters, carrying packages.

MARGE:

Hello, Ruth.

RUTH:

(tries to get a grip)

Hello, Marge.

Marge puts the packages in the kitchen and returns to the living

to discard her purse, hat and coat. Marge is a low-paid, wise-

cracking chorus girl, always on the lookout for a man or a buck.

MARGE:

Well, here I am -- all tired out. I've

been from five-and-ten cent store to

five-and-ten cent store. Just couldn't

find a fur coat to fit me.

RUTH:

(laughs)

Gee, I wish I had your disposition. What

are all the bundles?

MARGE:

(pulls out a card table)

Rations, dearie, rations. It looks like a

hard winter -- we might as well eat while

we can.

Throughout the following, Marge sets up the table next to Ruth,

covers it with a tablecloth, brings cups, food, a chair, etc.

RUTH:

Fix something for yourself. I'm not

hungry.

MARGE:

Oh, I've brought some swell corned beef.

(off Eddie's photo)

I thought it'd be a change from that

ham o' yours.

RUTH:

(takes photo and stares at it)

Aw, Eddie was all right until success went

to his head.

MARGE:

Yeah, it went to the place where it had

the most room.

RUTH:

Somehow I - I just can't work without him.

Ruth puts the photo back.

MARGE:

Aw, come on, brace up! Come on, show me

the chinaware, will ya?

RUTH:

(faint grin, head down)

Aw, I'll get over it, I guess.

MARGE:

Sure. Love 'em, tease 'em, and give 'em

the ozone.

RUTH:

That's all right when you're playing with

numbers. But when you've just got one

who's ... been everything to you.

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H. M. Walker

Harley M. "Beanie" Walker (June 27, 1878 – June 23, 1937) was a member of the Hal Roach movie production company from 1916 until his resignation in 1932. The title cards he wrote for Harold Lloyd, Charley Chase, Our Gang and Laurel and Hardy comedies "have entered legend, both for silent films, and as opening remarks for the earlier talkies." He was also an officer of the Roach Studio corporation. more…

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Submitted by aviv on January 31, 2017

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