No Country for Old Men Page #4

Synopsis: While out hunting, Llewelyn Moss (Josh Brolin) finds the grisly aftermath of a drug deal. Though he knows better, he cannot resist the cash left behind and takes it with him. The hunter becomes the hunted when a merciless killer named Chigurh (Javier Bardem) picks up his trail. Also looking for Moss is Sheriff Bell (Tommy Lee Jones), an aging lawman who reflects on a changing world and a dark secret of his own, as he tries to find and protect Moss.
Genre: Crime, Drama, Thriller
Production: Miramax Films
  Won 4 Oscars. Another 157 wins & 132 nominations.
 
IMDB:
8.1
Metacritic:
91
Rotten Tomatoes:
93%
R
Year:
2007
122 min
$74,223,625
Website
5,745 Views


Moss crosses to the back of the truck and lifts the tarp

that covers the truck bed.

A load of brick-sized brown parcels each wrapped in plastic.

He throws the tarp back over the load and crosses back to

the open cab door.

MAN:

Agua.

MOSS:

I told you I ain't got no agua. You

speak English?

A blank look.

MOSS:

...Where's the last guy?

The injured man stares, unresponsive. Moss persists:

MOSS:

Ultimo hombre. Last man standing,

must've been one. Where'd he go?

MAN:

...Agua.

Moss turns to scan the horizon. He looks at the tire tracks

extending back from the truck. He thinks for a beat.

MOSS:

(to himself)

I reckon I'd go out the way I came

in...

He starts off.

Through the truck's open door:

MAN:

La puerta... Hay lobos...

MOSS:

(walking off)

Ain't no lobos.

EXT. FLATLAND NEAR THE BASIN - LATER

Moss stops to look out at a new prospect. Flatland, no cover.

He raises the binoculars.

MOSS:

If you stopped... to watch your

backtrack... you're gonna shoot my

dumb ass.

He doesn't see anything. He lowers the glass, thinking.

He raises the glass again.

MOSS:

...But. If you stopped... you stopped

in shade.

He sets off.

EXT. NEAR THE ROCK SHELF - DAY

A POINT-OF-VIEW

Through the binoculars, some time later. One lone shelf of

rock throws shade toward us. Heat shimmers in between.

Hard sun makes the rock shadow impenetrable. But there is a

booted foot sticking into the sun toe-up like the nub on a

sundial.

Moss lowers the binoculars.

He looks at his watch.

11:
30.

He sits down.

FAST FADE:

EXT. NEAR THE ROCK SHELF - DAY

THE WATCH:

12:
30.

Moss lowers the wristwatch and raises the binoculars again.

The shadow has shifted. The foot hasn't moved.

Moss gets up and walks toward it.

EXT. ROCK SHELF - MINUTES LATER

Moss arrives at the rock shelf.

The man's body is tipped to one side. His nose is in the

dirt but his eyes are open, as if he is examining something

quite small on the ground.

One hand holds a .45 automatic.

Next to the body is a boxy leather document case.

Moss looks at the man. He takes the gun, looks at it, sticks

it in his belt.

He drags the document case away from the body and opens it.

Bank-wrapped hundreds fill it. Each packet is stamped

"$10,000."

Moss stares. He reaches in to rifle the stacks, either to

confirm that the bag is full or to estimate the amount.

He stands, looks around, looks back the way he came.

EXT. CATTLEGUARD ROAD - DAY

HIS TRUCK:

Moss's pickup is parked by a cattleguard off a paved but

little-used road.

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Joel David Coen and Ethan Jesse Coen, collectively referred to as the Coen brothers, are American filmmakers. more…

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Submitted by acronimous on May 20, 2016

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