Meet Me in St. Louis Page #2

Synopsis: "Meet Me in St. Louis" is a classic MGM romantic musical comedy that focuses on four sisters (one of whom is the nonpareil Judy Garland) on the cusp of the 1904 St. Louis World's Fair. The film spotlights the sisters' education in the ways of the world, which includes, but isn't limited to, learning about life and love, courtesy of the prototypical boy next door. In the end, love -- accompanied by song, dance and period costumes, all in glorious Technicolor -- conquers all.
Genre: Comedy, Drama, Family
Actors: Judy Garland, Margaret O'Brien, Mary Astor, Lucille Bremer
Production: MGM
  Nominated for 4 Oscars. Another 6 wins & 1 nomination.
 
IMDB:
7.7
Rotten Tomatoes:
100%
  Meet Me in St. Louis Movie Quotes »
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NOT RATED
Year:
1944
113 min
2,032 Views

" BUT HE DOESN'T KNOW

I EXIST "

" NO MATTER

HOW I MAY PERSIST "

" SO IT'S CLEAR TO SEE "

" THERE'S NO HOPE

FOR ME "

" THOUGH I LIVE

AT 5135 KENSINGTON AVENUE "

" AND HE LIVES AT 5133 "

" HOW CAN I IGNORE "

" THE BOY NEXT DOOR? "

" I LOVE HIM

MORE THAN I CAN SAY "

" DOESN'T TRY

TO PLEASE ME "

" DOESN'T EVEN TEASE ME "

" AND HE NEVER SEES ME

GLANCE HIS WAY "

" AND THOUGH

I'M HEARTSORE "

" THE BOY NEXT DOOR "

" AFFECTION FOR ME

WON'T DISPLAY "

" I JUST ADORE HIM "

" SO I CAN'T IGNORE HIM "

" THE BOY NEXT DOOR "

" I JUST ADORE HIM "

" SO I CAN'T IGNORE HIM "

" THE BOY NEXT DOOR ""

TOO SWEET?

TOO SOUR?

TOO THICK.

OH, GRANDPA.

KATIE,

WHERE'S MY CAT?

WHERE IS SHE?

SHE GOT IN THE WAY,

AND I KICKED HER

DOWN THE CELLAR STEPS.

I COULD HEAR HER SPINE

HIT EVERY STEP.

IF YOU'VE

KILLED HER,

I'LL KILL YOU.

I'LL STAB YOU

TO DEATH:

IN YOUR SLEEP.

OH, WON'T THAT

BE TERRIBLE, NOW?

THERE'S YOUR CAT.

OH, POOR LADY BABBIE.

DON'T GO AWAY.

WE'RE EATING EARLY.

I CAN'T GET HUNGRY

TILL IT GETS DARK.

DINNER'S AT 5:
30.

YOU CAN EAT:

BLINDFOLDED.

WE HAVE TO BE OUT

OF THE DINING ROOM BY 6:30.

WARREN SHEFFIELD'S

TELEPHONING FROM NEW YORK.

ROSE, I WOULDN'T COMMIT

MYSELF ONE WAY OR ANOTHER.

MOTHER,

FOR GOODNESS' SAKE.

WE KNOW VERY LITTLE

ABOUT HIM.

WE HAVEN'T EVEN

MET HIS FOLKS.

IT SEEMS TO ME:

THAT ONE LITTLE:

PHONE CALL:

IS CAUSING AN AWFUL

LOT OF EXCITEMENT.

BESIDES,

YOU'RE TOO YOUNG.

I DON'T THINK

YOUR FATHER:

WOULD ALLOW IT.

IF I HAVE TO KEEP

LYING FOR YOUR DAUGHTERS,

I'LL NEED MORE MONEY.

REMEMBER, NOT A WORD

OF THIS TO PAPA.

EVERYBODY KNOWS:

BUT PAPA?

YOUR PAPA'S NOT

SUPPOSED TO KNOW.

IT'S ENOUGH THAT

WE'RE LETTING HIM

WORK TO SUPPORT:

THE FLOCK OF US.

HE CAN'T

HAVE EVERYTHING.

[HUMMING

MEET ME IN ST. LOUIS]

WHERE'S TOOTIE?

I HAVEN'T SEEN HER ALL DAY.

DID TOOTIE:

COME HOME WITH YOU?

NO, MAMA.

OH, I SUPPOSE

SHE'S WORKING

ON THE ICE WAGON.

" BRIGHTEN THE CORNER

WHERE YOU ARE "

" BRIGHTEN THE CORNER

WHERE YOU ARE "

" SOMEONE

FAR FROM HARBOR... ""

WHO GETS ICE NOW,

MR. NEELY?

OH, MR. NEELY!

WHO GETS ICE NOW,

MR. NEELY?

NO ONE, TOOTIE.

ROBIN CAN'T REMEMBER

MRS. WILKINS MOVED.

NOW, YOU GET

OUT OF THERE.

POOR MARGARETHA.

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Irving Brecher

Irving S. Brecher (January 17, 1914 – November 17, 2008) was a screenwriter who wrote for the Marx Brothers among many others; he was the only writer to get sole credit on a Marx Brothers film, penning the screenplays for At the Circus (1939) and Go West (1940). He was also one of the numerous uncredited writers on the screenplay of The Wizard of Oz (1939). Some of his other screenplays were Shadow of the Thin Man (1941), Ziegfeld Follies (1946) and Bye Bye Birdie (1963). more…

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Submitted by acronimous on June 16, 2016

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