Kill Bill Page #2

BLACK FRAME:

TITLE APPEARS:

Chapter one

"2"

CUT TO:

EX CU The BRIDE's EYEBALL IN GLORIOUS COLOR

WE CUT OUT ONE...TWO...THREE...TO A

CU of The BRIDE IN GLORIOUS COLOR

She's sitting in a parked pickup truck. Her eyes focused on

something.

The BRIDE'S POV:

A very homey three-bedroom house in the affluent suburb of

Pasadena, California. A purple Dodge Neon sits parked in the

driveway. A tricylce, a big wheel, and a few toys sprinkle

the grass on the front yard. A mailbox with the name "The

BELLS" on it sits out in front of the lawn. We hear but don't

see ice cream truck bells.

SUBTITLE APPEARS AT SCREEN BOTTOM:

"The city of

PASADENA, CALIFORNIA"

We hear a Car Door Open and Close....THEN....The Bride Walks

into the shot, heading for the front door.

EX CU:
A long, white female finger pushes a doorbell.

EXT. RESIDENTIAL PASADENA STREET - DAY

The front door opens and an attractive black HOUSEWIFE the

same age as The Bride stands in the doorway.

The Housewife's face shows immediate recognition of the

blonde on her doorstep.

The BRIDE

on the porch; we do a quick Shaw-Brothers-style Zoom into her

eyes.

FLASHBACK - SPAGHETTI WESTERN STYLE

(That means our Heroine is remembering something, and we see

it with an orange filter.) We're back inside the wedding

chapel. The Bride is taking the beating of her life by four

people in black suits. A black woman PUNCHES HER in the

face... WE see it's the black housewife, five years earlier.

The BRIDE ON THE PORCH

We Zoom quick out of her eyes to CU, a VENGEANCE THEME PLAYS

LOUD ON THE SOUNDTRACK.(Whenever we hear this theme

throughout the picture, we'll quickly learn what accompanies

it is The Bride goin Krakatoa all over whoever's ass happens

to be in front of her at that moment.) As the Vengeance Theme

plays, a Vein in The Bride's forehead begins to pulsate. When

the Vengeance Theme stops, The Bride ATTACKS The Housewife.

INT. HOUSEWIFE'S NICE HOME - DAY

The white woman and the black woman FLY into the center of

the living room, CRASHING onto her coffe table in front of

the sofa.

These two wildcats go at each other savagely, TUMBLING OVER

the couch, clawing and scratching all the way, landing

together on the plush carpet.

The HOUSEWIFE

KICKS The Bride, sending her CRASHING backwards into the

small table where the phone, a note pad(for messages), and

the mail is kept.

The Housewife scrambles up on her feet, but is caught by a

FLYING TACKLE from behind by The Bride that sends them both

into........

An ornamental iron and tempered-glass bookcase that has

framed family photos, display toys, some African art, and a

collection of painted commemorative plates depicting the

negro experience in the American military. Starting with a

plate featuring Cripis Atkins in the revolutionary war, negro

troops in union blue during the civil war, Buffalo soldiers

fighting Indians, the Jim Crow troops of the first world war,

the colored troops of world war two, Korea, Vietnam, and

finally Colin Powell....The Bride and The Housewife CRASH

THROUGH all this reducing everything to rubble.

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