Happiness Page #4

Synopsis: Happiness is a 1998 American comedy-drama film written and directed by Todd Solondz, that portrays the lives of three sisters, their families and those around them. The film was awarded the FIPRESCI Prize at the 1998 Cannes Film Festival for "its bold tracking of controversial contemporary themes, richly-layered subtext, and remarkable fluidity of visual style," and the cast received the National Board of Review award for best ensemble performance. The film spawned the pseudo-sequel Life During Wartime which premiered at the 2009 Venice Film Festival.
Genre: Comedy, Drama
Production: Trimark Pictures
  Nominated for 1 Golden Globe. Another 12 wins & 25 nominations.
 
IMDB:
7.8
Metacritic:
81
Rotten Tomatoes:
83%
UNRATED
Year:
1998
134 min
1,365 Views


15.EXT. CAR - DAY.15.

BILL is driving along.

16.EXT. PARK - DAY.16.

Reminiscent of BILL'S dream: schoolchildren are playing,

teachers supervising. A laborer is eating lunch with a

co-worker. A little boy is sitting alone in the shade of a

tree.

BILL pulls up to the side of the field and observes from his

parking space.

He gets back in his car.

17.INT. BILL'S CAR - DAY.17.

BILL is at the wheel again, a little tense.

18.EXT. MINI-MALL - DAY.18.

BILL pulls into the lot. He walks into the 7-11.

19.INT. 7-11 - DAY.19.

BILL picks up a Boy's Life, pays for it.

20.EXT. MINI-MALL - DAY.20.

BILL gets into the back seat of his car and sets to

masturbating.

SHOPPERS walk by with shopping carts, little children,

oblivious to the activity inside Bill's car.

Finally, BILL gets out of his car, tucks in his shirt,

tosses the scrunched-up magazine into a dumpster, returns to

his car and pulls out.

21.INT. BILL'S KITCHEN - EVENING.21.

BILL comes home as Trish finishes preparing the dinner

table. He gives her a peck on the cheek. Their kids are

eating in the adjacent TV Room.

TRISH:

So how was work today, Hon?

BILL:

Oh, fine.

KOOKI sniffs BILL'S pants, excited.

TRISH:

Kooki, no!

BILL:

Down, Kooki!

KOOKI calms down somewhat.

BILLY ENTERS, opens the refrigerator, pours himself a soda.

He looks dejected.

BILL:

Hey, Billy! What's going on?

BILLY:

Nothing.

TRISH:

He's

(making quotation marks

with her fingers)

"depressed."

BILL:

Is something the matter?

BILLY:

I don't wanna talk about it.

And he leaves for the TV room again.

TRISH:

Ignore him. He's just doing it for

attention. He thinks you'll be

impressed. As if. So anyway�

Joy came by today.

BILL:

How's she doing?

TRISH:

Oh, God, I dunno, and frankly�

I'm concerned. I mean, she's not

like me. She doesn't "have it all."

She pretends to be happy, but

I can see right through her:

she's miserable.

BILL:

Why do you think that is?

TRISH:

To be frank, I think she's lazy.

She's not a go-getter, like me or

Helen. And she's so picky. I gave

Damien Ross her phone number, for

what it's worth, and Joy sounded

interested, naturally, but�I dunno.

I'm afraid to have to say it, but

truly it's what I believe: she'll

always be alone.

BILL:

We're all alone.

TRISH:

Oh, Bill. Sometimes I wonder how any

of your patients can talk to you.

BILL:

Sometimes I wonder if they'll ever

stop. I should tape some for you.

TRISH:

Would you? Would you really?

So that I could listen, too?

BILL:

No.

TRISH:

You're such a tease.

You know I wouldn't tell anyone.

BILL:

I know. 'Cause you're so secretive.

TRISH:

Well, maybe not as secretive as you.

BILL:

What secret would you like me to

tell you?

IRISH puts her arms around BILL.

Rate this script:3.7 / 3 votes

Todd Solondz

Todd Solondz (born October 15, 1959) is an American independent film screenwriter and director known for his style of dark, thought-provoking, socially conscious satire. Solondz has been critically acclaimed for his examination of the "dark underbelly of middle class American suburbia," a reflection of his own background in New Jersey.[1] His work includes Welcome to the Dollhouse (1995), Happiness (1998), Storytelling (2001), Palindromes (2004), Life During Wartime (2009), and Dark Horse (2012). more…

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