Final Destination Page #4

Synopsis: Final Destination is an American horror franchise composed of five films, comic books and novels. It is based on an unproduced spec script by Jeffrey Reddick, originally written for the X-Files television series, and was distributed by New Line Cinema. All five films center around a small group of people that escape impending death when one individual (the protagonist of each film) has a sudden premonition and warns them that they will all die in a terrible mass-casualty accident. After evading their foretold deaths, the survivors are killed one by one in bizarre accidents caused by an unseen force engineering complicated chains of cause and effect, resembling Rube Goldberg machines in their complexity.
Genre: Horror, Thriller
Production: New Line Cinema
  3 wins & 3 nominations.
 
IMDB:
6.7
Metacritic:
36
Rotten Tomatoes:
34%
R
Year:
2000
98 min
Website
1,393 Views


ALEX'S POV - (Full FRAME) - FLIGHT INFORMATION BOARD

the title settles upon... "TERMINAL."

CUT TO:

INT. SECURITY AREA - AIRPORT - MONITOR

The ghastly green and reds of the X-ray monitors flash as carry on bags

flash through the machine. CAMARA MOVES COUNTER to the direstion of the

conveyor belt. The pace and excitement of the collective group escalates as

departure approaches.

Carter Horton and his girlfriend, Terry, take cuts in line with smug,

bullying expressions. Unseen by the chaperones, no student, has the nerve to

protest Carters action. Alex, Tod, George and BILLY HITCHCOCK, heavy set

with a New York Rangers jersey watches Carter and Terry with disgust.

BILLY:

I can't believe they let that d*ckhead

on this trip.

GEORGE:

His parents bought a ton of those trip

certificates we had to sell, just

to get him out of their hair for ten days.

Excited, Tod speaks in a convert tone over Alex's shoulder.

TOD:

Dude, I so worked the ticket clerk

so your sittin' next to Christa and

I'm next to Blake.

Alex looks up ahead of the metal detectors...

ALEX'S POV - TWO GIRLS

Attractive and they know it, CHRISTA MARSH and BLAKE DREYER appear clearly

out of Alex and Tod's league.

TOD (CONT'D)

That's seven hours and most of

it is in the dark.

ALEX AND TOD:

The boys dump their change in a plastic bowls...

TOD:

Dude, if we don't get someone

going on thif flight, we should

just call Dr. Kervorkian and put

ourselves out of our fuckn' misery.

As Alex and Tod pass through the metal detector, their eyes performing

reconnaissance on Christa and Blake, the opening drum BLASTS of Boingo's "No

One Lives Forever" OVERLAPS...

CUT TO:

INT. AIRLINE GATE - AIRPORT - AFTERNOON - CLOSE - GATE 39

CAMERA ADJUSTS from the sign indicating GATE 39. The class is squirrely and

excited. Mr. Murnau, Ms. Lewton, and the parent chaperones are allowing kids

to burn off steam at the gate, hoping for a calm flight.

CAMERA MOVES ALONG the awaiting passengers... Carter and Terry are making

out, a step away from heavy petting...

Blake and Christa are flipping through Parisian fashion magizines... Billy

Hitchcock lays into a Burrito Supreme...

CAMERA MOVES to an empty seat. Clear Rivers ENTERS FRAME and sits,

struggling with her Walkman, coffee, books, and a cassette box handmarked

"Boingo" (a cheat the We hear the song)

As she places her stuff on the unoccupied seat beside her, a Paris guidebook

falls on the floor, opened but face down. A passing, unidentified, student

reaches down and hands her the book, still open and face down.

CLEAR:

Thanks.

The student continues down toward the observation deck. Clear looks at the

opened guidebook.

Rate this script:2.0 / 1 vote

Glen Morgan

Morgan was born in Syracuse, New York, and moved to El Cajon, California at the age of 14. While attending El Cajon Valley High School, he met James Wong, who would become his friend and professional partner. Both enrolled at Loyola Marymount University, graduating from the School of Film and Television in 1983, and afterward, wrote many scripts together. Morgan did not want to work on television at first, but wound up accepting a job on 21 Jump Street, which would later earn he and Wong a steady job at Stephen J. Cannell Productions. As Morgan was about to leave the company following scripts for The Commish in 1992, his former boss at Cannell, Peter Roth, invited him to work on a show being developed at 20th Television, The X-Files. more…

All Glen Morgan scripts | Glen Morgan Scripts

0 fans

Submitted by aviv on January 26, 2017

Discuss this script with the community:

0 Comments

    Translation

    Translate and read this script in other languages:

    Select another language:

    • - Select -
    • 简体中文 (Chinese - Simplified)
    • 繁體中文 (Chinese - Traditional)
    • Español (Spanish)
    • Esperanto (Esperanto)
    • 日本語 (Japanese)
    • Português (Portuguese)
    • Deutsch (German)
    • العربية (Arabic)
    • Français (French)
    • Русский (Russian)
    • ಕನ್ನಡ (Kannada)
    • 한국어 (Korean)
    • עברית (Hebrew)
    • Gaeilge (Irish)
    • Українська (Ukrainian)
    • اردو (Urdu)
    • Magyar (Hungarian)
    • मानक हिन्दी (Hindi)
    • Indonesia (Indonesian)
    • Italiano (Italian)
    • தமிழ் (Tamil)
    • Türkçe (Turkish)
    • తెలుగు (Telugu)
    • ภาษาไทย (Thai)
    • Tiếng Việt (Vietnamese)
    • Čeština (Czech)
    • Polski (Polish)
    • Bahasa Indonesia (Indonesian)
    • Românește (Romanian)
    • Nederlands (Dutch)
    • Ελληνικά (Greek)
    • Latinum (Latin)
    • Svenska (Swedish)
    • Dansk (Danish)
    • Suomi (Finnish)
    • فارسی (Persian)
    • ייִדיש (Yiddish)
    • հայերեն (Armenian)
    • Norsk (Norwegian)
    • English (English)

    Citation

    Use the citation below to add this screenplay to your bibliography:

    Style:MLAChicagoAPA

    "Final Destination" Scripts.com. STANDS4 LLC, 2024. Web. 18 Apr. 2024. <https://www.scripts.com/script/final_destination_858>.

    We need you!

    Help us build the largest writers community and scripts collection on the web!

    Watch the movie trailer

    Final Destination

    Browse Scripts.com

    The Studio:

    ScreenWriting Tool

    Write your screenplay and focus on the story with many helpful features.