Bringing Out the Dead Page #4
CUT TO:
INT. MERCY ER--NIGHT
Every large city has a hospital Emergency Room so replete
with trauma, violence and suffering it picks up the sobriquet
"Knife and Gun Club." On Manhattan's Lower East Side it's
our Lady Of Mercy, aka, Our Lady of Misery.
ER:
a white-lit cement box painted yellow and decorated withold framed Playbills. Four rows of six plastic chairs face a
TV bolted and chained to the ceiling. The seats are filled
with backed-up drunks, assault victims and "regulars,"
bleeding and spilling over against the walls and the floor,
getting up to ask their status or going out to throw up and
have a smoke.
Larry and Frank wheeling Burke in, two IV lines, each
connected to an elbow, tangled in EKG cables. Two LACERATED
RUSSIANS scramble out of their way as they approach GRISS,
the large black sunglassed security guard. He looks up from
his television guide:
GRISS:
Hey partner. Your man does not look
well. They're not gonna appreciate
you inside.
FRANK:
(pumping Ambu-bag)
Griss, let us in.
GRISS:
Things are backing up.
Griss pushes a button, activating the automatic door, striking
the bandaged leg of a man lying down on a stretcher in the
hall. Larry and Frank wheel Burke inside. A pleading family
tries to follow. Griss stretches out his hand:
GRISS (CONT'D)
You can't go in there, folks.
Mary, John and Mrs. Burke rush in from the street, hoping
some miracle has occurred during the drive to the hospital,
approach the sign-in desk.
Frank and Larry pass four stretchers lined against the wall--
a passage nicknamed "Skid Row" leading past triage NURSE
CONSTANCE's station.
NURSE CONSTANCE:
Just keep moving. Don't even slow
down.
Nurse Constance turns back to the nervous man seated beside
her:
NURSE CONSTANCE (CONT'D)
Sir, you say you've been snorting
cocaine for three days and now you
feel your heart is beating too fast
and you would like us to help you.
To tell the truth, I don't see why I
should. If I'm mistaken, correct me.
Did we sell you the cocaine? Did we
push it up your nose?
Translation
Translate and read this script in other languages:
Select another language:
- - Select -
- 简体中文 (Chinese - Simplified)
- 繁體中文 (Chinese - Traditional)
- Español (Spanish)
- Esperanto (Esperanto)
- 日本語 (Japanese)
- Português (Portuguese)
- Deutsch (German)
- العربية (Arabic)
- Français (French)
- Русский (Russian)
- ಕನ್ನಡ (Kannada)
- 한국어 (Korean)
- עברית (Hebrew)
- Gaeilge (Irish)
- Українська (Ukrainian)
- اردو (Urdu)
- Magyar (Hungarian)
- मानक हिन्दी (Hindi)
- Indonesia (Indonesian)
- Italiano (Italian)
- தமிழ் (Tamil)
- Türkçe (Turkish)
- తెలుగు (Telugu)
- ภาษาไทย (Thai)
- Tiếng Việt (Vietnamese)
- Čeština (Czech)
- Polski (Polish)
- Bahasa Indonesia (Indonesian)
- Românește (Romanian)
- Nederlands (Dutch)
- Ελληνικά (Greek)
- Latinum (Latin)
- Svenska (Swedish)
- Dansk (Danish)
- Suomi (Finnish)
- فارسی (Persian)
- ייִדיש (Yiddish)
- հայերեն (Armenian)
- Norsk (Norwegian)
- English (English)
Citation
Use the citation below to add this screenplay to your bibliography:
Style:MLAChicagoAPA
"Bringing Out the Dead" Scripts.com. STANDS4 LLC, 2024. Web. 19 Apr. 2024. <https://www.scripts.com/script/bringing_out_the_dead_1093>.
Discuss this script with the community:
Report Comment
We're doing our best to make sure our content is useful, accurate and safe.
If by any chance you spot an inappropriate comment while navigating through our website please use this form to let us know, and we'll take care of it shortly.
Attachment
You need to be logged in to favorite.
Log In