At First Sight Page #3

Synopsis: First Sight is true to the title from start to finish. Val Kilmer skates in the dark appears FIRST to Mira Sorvino car headlights driving lost searching for her retreat spa motel. Kilmers FIRST visual memory links him coincidently to his last. This is a true love drama with Nathan Lane providing laughs counseling visual therapy. All stars emotional vulnerability teach the audience learning love matters in art, architecture, education, parenting, massage and trees.
Genre: Drama, Romance
Director(s): Irwin Winkler
Production: MGM
 
IMDB:
5.9
Metacritic:
40
Rotten Tomatoes:
32%
PG-13
Year:
1999
128 min
436 Views


VIRGIL:

Well, this is my ride.

Hey Tommy, my man.

And with his hand extended a kid high fives it. Amy looks up - a BUS

full of young school kids. Seems odd.

TOMMY:

Virge.

As the kid moves off.

AMY:

Well, I just wanted to apologize for back there -

blubbering like that - I was just in a weird place.

VIRGIL:

And now...

AMY:

Now, I'm fine - so I wanted to

thank- you. For what you did.

VIRGIL:

For making you cry.

AMY:

No, I made me cry - and you handled

it great - didn't freak or anything.

(beat)

Is my mascara smeared or something?

VIRGIL:

(laughs)

No. Why?

AMY:

You're just looking at me funny.

CARL:

Virgil - lets move it.

VIRGIL:

As I said earlier - I just never get used to the view.

Virgil starts towards the bus, reaching behind to his pack. Pulls

something out.

VIRGIL:

See you tomorrow.

And CLICK, CLICK, CLICK - a WHITE CANE unfolds in his hand. And he

taps his way to the bus.

AMY:

See you... oh my God.

VIRGIL:

What?

AMY:

You're, you're -- I'm so sorry.

VIRGIL:

(smile)

Hey, you already apologized once

- no need to overdo it. Bye now.

Amy doesn't know how to respond. And he moves into the front seat of

the bus - amongst "Hey Virgil's" from the school kids and Ca-chunk

the doors close - the Yellow Bus steaming off - past Amy, as she

stares at Virgil in the front seat - about to wave to him - then

realizing he wouldn't see.

As she turns and watches the bus move off down the street - a hand

comes out - Virgil's - and waves good-bye.

EXT. VIRGIL'S HOME.- DUSK

The BUS stopping in front of Virgil's home - a side-by-side DUPLEX

at the edge of surrounding woods.

Virgil steps into the street and with a HONK the bus pulls away. He

turns, grazes his hand across a tree out front - and starts towards

his home.

AT THE PORCH - he hesitates at the first door. Finds it with his

hand - then raps on it.

No answer. He moves over to his own door - and goes inside.

INT. VIRGIL'S HOME - EVENING

As he enters, Sophie, an aging LAB, lays on the couch.

VIRGIL:

Get of f the couch, Sophie.

As the dog slides guiltily off the couch.

VIRGIL:

Some seeing eye dog -

more like sleeping eye dog.

Virgil bends down as he passes the coffee table to pick up the

REMOTE CONTROL placed just so. Click - a Game Show pops on.

VIRGIL:

Met a girl today - nice voice -

followed me out of the building.

Sophie barks.

VIRGIL:

No she wasn't a stalker.

CLOSE ON Virgil's hand flipping open a large book marked "TV HOCKEY

SCHEDULE" - it's completely WHITE - all in BRAILLE.

JENNIE (O.S.)

Sophie's just worried about you -

she watches too many horror movies.

In the kitchen, JENNIE ANDERSON, older than Virgil, simply dressed,

putting a just made dinner carefully onto a plate.

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Steven Levitt

Steve Levitt is the William B. Ogden Distinguished Service Professor of Economics at the University of Chicago, where he directs the Becker Center on Chicago Price Theory. Levitt received his BA from Harvard University in 1989 and his PhD from MIT in 1994. He has taught at Chicago since 1997. In 2004, Levitt was awarded the John Bates Clark Medal, awarded to the most influential economist under the age of 40. In 2006, he was named one of Time magazine's “100 People Who Shape Our World.” more…

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Submitted by aviv on November 30, 2016

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