American Graffiti script
Synopsis: On the last day of summer vacation in 1962, friends Curt (Richard Dreyfuss), Steve (Ronny Howard), Terry (Charles Martin Smith) and John (Paul Le Mat) cruise the streets of small-town California while a mysterious disc jockey (Wolfman Jack) spins classic rock'n'roll tunes. It's the last night before their grown-up lives begin, and Steve's high-school sweetheart, a hot-to-trot blonde, a bratty adolescent and a disappearing angel in a Thunderbird provide all the excitement they can handle.

TERRY:

Hey, whadaya say? Curt? Last night in town, you guys gonna have a

little bash before you leave?

STEVE:

The Moose have been lookin' for you all day, man.

Steve reaches into his pocket and hands Curt an envelope without

saying anything. Curt opens it slowly and pulls out a check.

CURT (sarcastic)

Oh great...

TERRY:

Whadaya got, whadaya got? (snooping over his shoulder) Wow--two

thousand dollars. Two thousand doll--!!

Steve looks at Curt suspiciously; Curt seems somehow guilty.

STEVE:

Mr. Jenning couldn't find you, so he gave it to me to give to

you. He said he's sorry it's so late, but it's the first

scholarship the Moose Lodge has given out. Oh yeah, he says

they're all very proud of you.

Curt hands the envelope back to Steve

CURT:

Well...ah...why don't you hold onto it for a while?

STEVE:

What's with you? It's yours! Take it! I don't want it.

TERRY:

I'll take it.

CURT:

Steve...Ah, I think we'd better have a talk. I've gotten--

Suddenly a horn honks and they all turn. Laurie Henderson pulls

into the drive-in and waves to them. She is driving the family's

'58 Edsel.

STEVE:

Your sister calls. I'll talk to you later.

CURT:

Now, Steve! Let her wait.

STEVE:

Okay, make it short and sweet.

CURT:

Yeah, well...Listen...(clearing his throat) I...I don't think I'm

going tomorrow.

STEVE:

What! Come on, what are you talking about?

CURT:

I don't know. I was thinking I might wait for a year...go to

city--

Laurie honks the horn a couple of times. Steve ignores her. There

is a long moment and Curt looks uncomfortable.

STEVE:

You chicken fink.

CURT:

Wait, let me explain--

STEVE:

You can't back out now! After all we went through to get

accepted. We're finally getting out of this turkey town and now

you want to crawl back into your cell--look, I gotta talk to

Laurie. (he hands the check back to Curt). Now take it. We're

leaving in the morning. Okay?

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George Lucas

George Walton Lucas, Jr. was raised on a walnut ranch in Modesto, California. His father was a stationery store owner and he had three siblings. During his late teen years, he went to Downey High School and was very much interested in drag racing. He planned to become a professional race-car driver. However, a terrible car accident just after his high school graduation ended that dream permanently. The accident changed his views on life. He decided to attend Modesto Junior College before enrolling in the University of Southern California film school. As a film student, he made several short films including THX-1138: 4EB (Electronic Labyinth) which won first prize at the 1967-68 National Student Film Festival. In 1967, he was awarded a scholarship by Warner Brothers to observe the making of Finian's Rainbow (1968) which was being directed by Francis Ford Coppola. Lucas and Coppola became good friends and formed American Zoetrope in 1969. The company's first project was Lucas' full-length version of THX 1138 (1971). In 1971, Coppola went into production for The Godfather (1972), and Lucas formed his own company, Lucasfilm Ltd. In 1973, he wrote and directed the semiautobiographical American Graffiti (1973) which won the Golden Globe and garnered five Academy Award nominations. This gave him the clout he needed for his next daring venture. From 1973 to 1974, he began writing the screenplay for Star Wars: Episode IV - A New Hope (1977). He was inspired to make this movie from Flash Gordon and the Planet of the Apes films. In 1975, he established I.L.M. (Industrial Light and Magic) to produce the visual effects needed for the movie. Another company called Sprocket Systems was established to edit and mix Star Wars and later becomes known as Skywalker Sound. His movie was turned down by several studios until 20th Century Fox gave him a chance. Lucas agreed to forego his directing salary in exchange for 40% of the film's box-office take and all merchandising rights. The movie went on to break all box office records and earned seven Academy Awards. It redefined the term "blockbuster". The rest is history. Lucas made the other Star Wars films and along with Steven Spielberg created the Indiana Jones series which made box office records of their own. From 1980 to 1985, Lucas was busy with the construction of Skywalker Ranch, built to accommodate the creative, technical, and administrative needs of Lucasfilm. Lucas also revolutionized movie theatres with the T.H.X. System which was created to maintain the highest quality standards in motion picture viewing. He went on to make several more movies that have introduced major innovations in film-making technology. He is chairman of the board of The George Lucas Educational Foundation. In 1992, George Lucas was honored with the Irving G. Thalberg Award by the Board of Governors of the Academy of Motion Picture Arts and Sciences for his life-time achievement. more…

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"American Graffiti" Scripts.com. STANDS4 LLC, 2017. Web. 23 Nov. 2017. <http://www.scripts.com/script/american_graffiti_684>.

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