Topaze

Synopsis: Albert Topaze, sincere schoolteacher addicted to "rote" morality, works at a private school run by supremely money-grubbing M. Muche, whose daughter, also a teacher, makes cynical use of the knowledge that Topaze loves her. Alas, Topaze's naive honesty brings him unjust dismissal...and makes him fair game for the "aunt" of his private pupil, really the mistress of crooked politician Regis, who needs an honest-seeming "front man." Can artful Suzy Courtois keep Topaze on the string? With steadily escalating disillusion comes moral crisis...
 
IMDB:
7.1
Year:
1951
136 min
217 Views


All characters and events

in this film are fictitious.

Any similarity to actual events

or persons, living or dead,

is purely coincidental.

"Lambs...

"The lambs were safe

"in a park...

"in a park."

Lambs. Lambs.

Come on, boy, make an effort.

Were...

Were... w-e-r-e.

This means

there was not only one lamb,

but several lambs.

Good day, Mr. Topaze.

Good day, Miss Muche.

Is my father around?

The headmaster's not to be seen.

What time is it?

Ten to eight, miss.

- You're early for your class.

- I have work.

- Can you lend me your red ink?

- With pleasure, miss.

I just bought a bottle.

I'll open it for you.

You're so very kind.

- Are you correcting homework?

- Yes.

And I don't like doing it.

It's curious, I've always had

a fondness for correcting homework.

I sometimes surprise myself

correcting billboards in the metro,

or pamphlets that people

hiding around corners

unexpectedly thrust into your hands.

There you go.

Keep the bottle as long as you like.

Thank you, Mr. Topaze.

- At your service, miss.

- At my service?

A ready-made phrase,

but you say it nicely.

I try my best

and it's truly sincere.

Two weeks ago, you didn't say it,

but you were much nicer.

How do you mean, miss?

You brought me colored chalk

and perpetual calendars.

You came to my classroom

to help me correct homework.

But you no longer offer to help me.

Help you? Had I sought this favor,

would you have granted it?

I don't know.

I only know you haven't sought it.

Thank you anyhow.

I have a great deal of work.

Miss Muche, my dear colleague,

do me the honor, let me correct it.

I can't impose such drudgery.

You mustn't call drudgery

that which is a joy.

When I'm alone at night,

in my little room,

hunched over your dictations,

the problems you gave them,

those delicate and feminine

spelling pitfalls,

I feel as though you're close to me.

Mr. Topaze, behave yourself.

Forgive me. But this discussion

has gone so far that

you cannot refuse me this favor

without inflicting pain

and misery I do not deserve.

OK, I'll give in again.

Thank you!

- I need it by tomorrow.

- You'll have it.

I shake when I think that we're

doing something forbidden together.

You'll have it tomorrow.

Tomorrow morning, eight-thirty.

Goodbye. And not a word.

Not a word.

Back to our lambs.

Hello, headmaster.

Mr. Topaze, I'd like to have

a word with you.

Of course, sir.

Go outside and play.

- I'm surprised.

- About what?

I recall Article 27

of the Muche Boarding School rules'.

"Teachers who give private lessons

in their classrooms

"must pay the administration

10% of their earnings."

I was not aware

you gave this student lessons.

They're not real lessons.

You're playing on words.

No, sir, they're free lessons.

If you give free lessons,

no one will want to pay.

And your colleagues will lose

their precious extra income.

- Maybe you're a rich man.

- Not at all, sir.

That's your business.

But despite your show of generosity,

you must pay the 10% fee.

It's not for a miserable question

of money.

But out of respect for the rules,

which must be as unchanging

as the laws of nature.

I understand fully, sir.

What is this mammal?

A squirrel, sir.

It's mine, I brought it in

for one of my lessons.

- Very well.

- Sir, I believe I have

succeeded in recruiting

a new student.

You will note,

this is the seventh one.

Seventh what?

The seventh new student

I recruited for us this year.

So you've done the family

a big favor?

Yes, in fact. It's true.

- What is the child's name?

- Gaston Courtois.

I regret he's not an aristocrat.

This would influence

my decision.

Is he truly exceptional?

Possibly. I tutor him at his aunt's,

his parents are away.

I believe he has an agile mind,

the ability to grasp...

Good, good.

Will they accept our conditions?

3,000 francs a month?

Naturally.

Will the child sign up for

extra classes?

- Probably.

- Fencing, modeling, choir?

No doubt.

- 3,000 francs a month?

- I suppose.

Dance, painting

and Esperanto for 1,200?

They'll recognize the importance.

Do they know we must charge

for other additional expenses?

What expenses?

Pens and blotters, 100 francs,

drinking water, 50 francs,

access to library, 200 francs.

A 300-franc deposit

for minor damage'.

ink stains, names engraved on desks,

writing on walls. And lastly,

300 francs a month

for specific school insurance

which covers sprains, fractures,

scarlet fever,

mumps and poked eyes.

You think they'll accept this?

- Certainly.

- Then he's truly exceptional

and I will make an effort.

Since you were foolish enough

to commit yourself,

I must help you out

of this unfortunate bind.

You mustn't take this for granted,

I expect a display of renewed zeal

to show your gratitude.

You can count on it, headmaster.

Very well.

Here's the file you submitted

for your academic decoration,

I have the pleasure of announcing

that the Academy lnspector

spoke to me about you

in flattering terms.

He said:
"Mr. Topaze deserves

to be decorated ten times over.

"Ten times over,

and I was almost ashamed

"to discover he hasn't been."

You embarrass me.

"Especially since this year,

I cannot award him."

- He can't?

- His last words were:

"Tell Mr. Topaze that this year,

"I'm decorating him morally."

Morally.

It's possibly even more moving.

Morally...

Hello, old boy.

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Marcel Pagnol

Marcel Pagnol (French: [maʁsɛl paɲɔl]; 28 February 1895 – 18 April 1974) was a French novelist, playwright, and filmmaker. Regarded as an auteur, in 1946, he became the first filmmaker elected to the Académie française. Although his work is less fashionable than it once was, Pagnol is still generally regarded as one of France's greatest 20th-century writers and is notable for the fact that he excelled in almost every medium—memoir, novel, drama and film. more…

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Submitted on August 05, 2018

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